The exceptionally talented and dependable keyboardist could cope with whatever style was thrown at him – and bands remodelled their sound around him.
In 2014, he quietly released a solo album, Assorted Promenades, that in places harked back to the piano instrumentals he had recorded with Felt, as on Hymn – and very occasionally evoked the jazz of Train Above the City – but elsewhere slipped into the realms of minimalism and abstraction, quite unlike anything else he’d released. Primal Scream’s career then took a series of left turns: from the dark, dubbed-out Vanishing Point to XTRMNTR’s distorted paranoia. His keyboards are all over the epochal 1991 album Screamadelica – adding a Italo-house inspired jangle to its cover of the 13th Floor Elevators’ Slip Inside This House; bolstering another Weatherall-remixed track, Come Together, as it reached its euphoric climax; playing in a southern soul-inspired style on Movin’ on Up. It was the latter approach that became central to Screamadelica’s maligned follow-up Give Out But Don’t Give Up, a more straightforward rock album than anyone who had enjoyed the kaleidoscopic melange of its predecessor was expecting. He had first appeared on Ignite the Seven Canons, an album on which Deebank also appeared – but after the guitarist’s departure, Felt dramatically remodelled their sound around Duffy. But even by Felt’s standards, 1985 found them in a tight spot: they had just scored a No 1 single on the indie chart with Primitive Painters, but their guitarist Maurice Deebank – whose classical-inspired filigree defined their sound – had left for good.
"Another tragic loss of a beautiful soul," Charlatans singer Tim Burgess says about the keyboardist.
The message added: "He had a gift with music but even more of one with people. He toured with me in my solo band too - he was a pleasure to spend time with. The singer continued: "Martin was also in possession of a unique wit. "He lived to laugh and play music. His style combined elements of country, blues and soul, all of which he had a God given natural feel for." He was loved by all of us in the Scream.
Martin Duffy, the keyboardist for the bands Primal Scream and The Charlatans, has died at the age of 55, being described as “beautiful soul”.
“He had a gift with music but even more of one with people. He was loved by all of us in the Scream. “He played with us at Knebworth and was a true friend. He toured with me in my solo band too – he was a pleasure to spend time with. “Martin was also in possession of a unique wit. His style combined elements of country, blues and soul, all of which he had a God given natural feel for.
Martin Duffy, the keyboardist for the Scottish rock band Primal Scream, has died. He was 55.
"Definitely a time to show love, check in on others and help wherever you can," he wrote. "He had a love and understanding of music on a deep spiritual level. He was all about 'the moment', better have that 'record' button on when Duffy was on fire." Gillespie described Duffy as "a beautiful soul" and recalled how he played the keyboard on every Primal Scream album, officially joining the Scottish band in 1991. "His style combined elements of country, blues and soul, all of which he had a God given natural feel for. "Hard to write this," Gillespie began in his tribute.
Martin Duffy was not only a member of Primal Scream, but also The Charlatans and Felt, and played with Oasis, The Chemical Brothers and more.
[According to the BBC](https://www.bbc.com/news/entertainment-arts-64038944), Duffy died peacefully at home with his family after suffering a fatal brain injury following a fall. He played keyboards on every album of ours from the first to the last,” Gillespie wrote, before reflecting on Duffy’s studio experiences with Dr John and [George Clinton](https://musicfeeds.com.au/feeds/george-clinton/). Gillespie continued, “He had a swift eye for the absurd, the surreal and the ridiculous. [a tribute](https://www.instagram.com/p/CmY-0Z1jjWn/?igshid=MDJmNzVkMjY=) on the band’s Instagram earlier today. He was loved by all of us in the Scream. The musician, who performed on Primal Scream’s first two albums, offcially joined the band in 1991 after Felt disbanded.
Primal Scream's Bobby Gillespie has paid tribute to his bandmate and keyboardist Martin Duffy, calling him a "beautiful soul".
He was then a part of Primal Scream for three decades, going from part-time to full-time member and also guesting on Gillespie‘s 2020 album with He was a pure genuine soul.” He had a swift eye for the absurd, the surreal and the ridiculous. He was loved by all of us in the Scream. You were and are one of a kind. “Martin was the most musically talented of all of us,” the tribute continued. “His style combined elements of country, blues and soul, all of which he had a God given natural feel for. Martin was also in possession of a unique wit. “He loved literature and was well read and erudite. “I’ve known Martin since he was a teenager in Felt. He had a love and understanding of music on a deep spiritual level. Opinionated and stubborn in his views.”
Martin Duffy's family confirmed the Primal Scream keyboardist suffered a brain injury after a fall and died as a result of his injuries.
He toured with me in my solo band too – he was a pleasure to spend time with. Martin Duffy stepped in to save The Charlatans when we lost Rob – he played with us at Knebworth and was a true friend. He was loved by all of us in the Scream. The cycle of life and death is cruel at times and these two had so much more to give to the world. He had a swift eye for the absurd, the surreal and the ridiculous. I witnessed a session at Abbey Rd in 1997 for a Dr John album where his record company had assembled a bunch of young Indie Brit musicians where Mac Rebenac ( Dr John ) seemed bored and uninterested in the session until Martin started playing, then suddenly the good Dr started knocking some funky piano chops and I instantly knew it was because his ears had pricked up when he heard Martin play and the session at last came alive. “Martin was the most musically talented of all of us. I’ve known Martin since he was a teenager in Felt. He had a love and understanding of music on a deep spiritual level. He suffered a brain injury due to a fall at his home in Brighton. “A deep thinker, curious about the world and other cultures. A terrible shock and we're in bits but we have such love around us.
Duffy became a British rock mainstay, also contributing to songs by Oasis, the Charlatans, and the Chemical Brothers.
He played on their pivot to rave-rock, the landmark 1991 album [Screamadelica](https://pitchfork.com/reviews/albums/21328-screamadelica/), and all of the group’s records until their latest, 2016’s [Chaosmosis](https://pitchfork.com/reviews/albums/21590-chaosmosis/). He went on to record with the band on 1997’s Tellin’ Stories, and was later called upon for Oasis’ own “Love Like a Bomb,” as well as two tracks on the Chemical Brothers’ 2007 album, [We Are the Night](https://pitchfork.com/reviews/albums/10369-we-are-the-night/). [Martin Duffy](https://pitchfork.com/artists/martin-duffy/), the [Felt](https://pitchfork.com/artists/1596-felt/) keyboardist who went on to play with [Primal Scream](https://pitchfork.com/artists/3394-primal-scream/), [the Charlatans](https://pitchfork.com/artists/726-the-charlatans-uk/), and many more UK groups, has died, [BBC News](https://www.bbc.com/news/entertainment-arts-64038944) reports, citing tweets by the Charlatans’ [Tim Burgess](https://twitter.com/Tim_Burgess/status/1605123444864978944/) and Duffy’s brother, the BBC journalist [Steve Duffy](https://twitter.com/SteveDuffy99/status/1605165507879268352/). Duffy released a solo album, Assorted Promenades, in 2014. [Forever Breathes the Lonely Word](https://pitchfork.com/reviews/albums/felt-forever-breathes-the-lonely-word), which featured a plaintive Duffy staring out from the cover. He had injured his brain in a fall and died peacefully surrounded by family, his brother said.
Duffy also played with the Charlatans, whose frontman Tim Burgess shared the news of his death.
He was a pure genuine soul.” [Anton Newcombe](https://twitter.com/antonnewcombe/status/1605164190204837888) of the Brian Jonestown Massacre was among the musicians to remember Duffy, alongside [Asian Dub Foundation](https://twitter.com/ADFofficial/status/1605140755940622337), [Gruff Rhys](https://twitter.com/gruffingtonpost/status/1605174375367733249) and [Dodgy](https://twitter.com/DodgyUK/status/1605137188659904518). Martin Duffy stepped in to save the Charlatans when we lost Rob – he played with us at Knebworth and was a true friend. The pair had just been listening to the John Foxx song Burning Car: “Tim saw it as a sign.” He toured with me in my solo band too – he was a pleasure to spend time with. Duffy released a solo album, Assorted Promenades, on Burgess’s O Genesis label in 2014, which included music dating back to 1997. He could play piano to the level where he was feted not just by his peers in British music, but old school master American musicians such as James Luther Dickinson, Roger Hawkins and David Hood and producer Tom Dowd. His voice sounds like his throat was pickled in whisky before he was even born. He had a love and understanding of music on a deep spiritual level. Martin brings the blues to Primal Scream.” “He loved literature and was well read and erudite,” said Gillespie. “He played keyboards on every album of ours from the first to the last. The second side of their 1988 album The Pictorial Jackson Review features two Duffy instrumentals.