Angelo Badalamenti

'Twin Peaks' and 'Blue Velvet' composer Angelo Badalamenti, director David Lynch's longtime musical collaborator, died Sunday at home in New Jersey.

He stayed to co-write the song “Mysteries of Love” for Julee Cruise. The mostly instrumental “Soundtrack to Twin Peaks,” which featured primarily Badalamenti’s compositions along with three songs sung by Cruise, peaked at No. “I think the music that comes out of that is very beautiful. I realized a lot of things about sound effects and music working with Angelo, how close they are to one another.” “He’s got a big heart, and he allowed me to come into his world and get involved with music. “He was a loving husband, father and grandfather.”

Angelo Badalamenti, 'Twin Peaks' composer and David Lynch collaborator, has died at age 85.

“There’s something about the identity of the sound, or the kind of music. “Then, once you’ve got that, go back and do something that’s sad and go back into that sad, foreboding darkness.’ Maybe it was luck, but literally, in one take, I translated those words into music.” And then Fred responded, ‘He adores it.'” Badalementi went on to score the picture, as well as several other Lynch films, as their working relationship blossomed. I could be in one room and my wife would have the TV on and I hear the background music and say, ‘Oh, my God, that’s something that I did with a couple of notes changed.’ … His work on Lynch’s Blue Velvet led to a collaboration with singer Julee Cruise, [who died a few months ago](https://www.rollingstone.com/music/music-news/julee-cruise-obituary-1365958/), that set the tone for Lana Del Rey, Massive Attack, and Au Revoir Simone, among other acts. The track was a hit on Billboard’s Modern Rock chart and a Top 10 single in the U.K. Before his career in film, Badalamenti — who was born in Brooklyn on March 22, 1937 — had studied composition, French horn, and piano at the Eastman School of Music and the Manhattan School of Music. That same year, he collaborated with thrash metallers Anthrax on “Black Lodge,” a song inspired by Twin Peaks. [David Lynch](https://www.rollingstone.com/t/david-lynch/)’s films that built on the legacy of Bernard Herrmann’s shadowy string arrangements with gauzy synths and expressionistic jazz outbursts. “The family confirmed he passed away on Dec. [Angelo Badalamenti](https://www.rollingstone.com/t/angelo-badalamenti/), the Grammy-winning composer whose synthy soundtracks for Twin Peaks and Blue Velvet ushered dream pop into the mainstream, has died. His theme for Lynch’s TV series Twin Peaks won him a Grammy, while his scores for Mulholland Dr., The Straight Story, and various Twin Peaks sequels earned him Emmy, BAFTA, and Golden Globes nominations.

The filmmaker David Lynch turned to his haunting work again and again, for “Blue Velvet,” “Mulholland Drive” and other neo-noir films.

Mr. Lynch, who described Mr. “It’s the dead of night,” Mr. He and Mr. The notes finally came to him in the shower, he recalled, and he hurried downstairs to his piano. Lynch met when Mr. “It has a violence and a sincere sentimentality — sadness but not despair.” “It’s very romantic but can be terrifying,” Mr. The station videotaped and broadcast the show, and the Monday after Christmas, Mr. [“Gordon’s War,”](https://www.youtube.com/watch?v=B0fSppLA-qM&list=OLAK5uy_lJvJY_NqZlavvpd5Gi89q8Rt2CNvnoJG0) a 1973 blaxploitation film. [“I Hold No Grudge,”](https://www.youtube.com/watch?v=R24tPPzX0l8) in 1965. [she sang “Blue Velvet”](https://www.youtube.com/watch?v=QP-X1eZLEtQ) at the Slow Club in Lumberton, N.C., a flower-filled, picket-fence kind of town with a very dark side.

American film and television composer Angelo Badalamenti has died at the age of 85. He is best known for working with David Lynch on TV series like 'Twin ...

[David Lynch](https://www.vulture.com/2017/05/twin-peaks-secrets.html), writing the music for six of his films, as well as TV series Twin Peaks and Twin Peaks: The Return. In 1991, he and Lynch formed Thought Gang, releasing songs under the moniker on various soundtracks before finally debuting a full Thought Gang album in 2018. His first collaboration with Lynch was the original song “Mysteries of Love” for Blue Velvet, recorded by vocalist Julee Cruise, who died [earlier this year](https://www.nytimes.com/2022/06/10/arts/music/julee-cruise-dead.html). In 1989, he composed the music for Industrial Symphony No. [Angelo Badalamenti](https://www.vulture.com/2016/09/twin-peaks-songs-stories-angelo-badalamenti.html), who wrote scores for film and television works such as Twin Peaks, Blue Velvet, and Mulholland Drive, [died of natural causes](https://www.hollywoodreporter.com/movies/movie-news/angelo-badalamenti-dead-david-lynch-composer-blue-velvet-1235280660/) at his New Jersey home on Sunday, December 11. He also contributed the score to Lynch’s web series Rabbits, which is featured in parts of his most recent feature film, Inland Empire.

He collaborated with director David Lynch on movies including “Blue Velvet” and “Mulholland Drive” as well as the cult TV series “Twin Peaks.”

On paper, he was a strange match for Lynch, the coifed, Midwestern oddball Mel Brooks once described as “Jimmy Stewart from Mars.” But somehow they formed a singular artistic mind, and a brotherly bond. Badalamenti’s name conjured the image of an old-world maestro, but he was in fact a wisecracking, golf-playing grandfather with a rough-hewed Brooklyn burr. [“Inside the Actors Studio,”](https://www.youtube.com/watch?v=Mn_tp45FoYA) hosted by James Lipton on the Bravo cable network. He gave Schrader’s “The Comfort of Strangers,” a 1990 drama about a young couple that encounters a mysterious Christopher Walken in Venice, an [“Mysteries of Love,”](https://www.youtube.com/watch?v=LOOKkPS47WQ) became the template for “Lynchian” music. Badalamenti wrote the melody in one afternoon, sitting at his Fender Rhodes keyboard with Lynch next to him describing the scene: “It’s the dead of night, we’re in a dark wood, there’s a full moon out. The director soon asked Mr. When Lynch was unable to license the Mortal Coil’s “Song to the Siren,” he also commissioned an original song and advised him, “Make it like the wind, Angelo. “We went over and played it for David Lynch, who was shooting the last scene. Caruso knew of the composer’s experience working with singers, and star Isabella Rossellini needed a vocal coach for her songs. He co-wrote a number of popular songs, including the brassy torch song Badalamenti cast a spell of dreamlike melancholy, dread and jazzy humor in the director’s surreal body of work, epitomized in “Twin Peaks.” Set in a fictional small town in the Northwest, the series mixed elements of murder mystery and bizarro soap opera, and aired for two seasons on ABC in the early 1990s before being resurrected on Showtime in 2017.

Angelo Badalamenti was known for his long-standing partnership with David Lynch, as well as collaborations with Nina Simone and David Bowie.

In the above video, Badalamenti reflects on the creative process of working with Lynch while writing the music for Twin Peaks. Badalamenti first worked with Lynch on his 1986 coming-of-age neo-noir film, Blue Velvet, before the pair embarked upon a long-standing and fruitful collaborative relationship. And there’s a moon out.’” it’s very sad.’” [Angelo Badalamenti](https://musicfeeds.com.au/feeds/angelo-badalamenti), whose evocative compositions soundtracked David Lynch’s biggest films, has died in his New Jersey home, aged 85. In his recollection, the two sat together at an old Rhodes piano and Badalamenti improvised while Lynch fed him images.

Badalamenti won a Grammy award in 1990 for the evocative soundtrack, and worked closely with the popular series' director David Lynch.

The Twin Peaks soundtrack won him the 1990 Grammy award for best pop instrumental performance. Badalamenti won a Grammy award in 1990 for the evocative soundtrack, and worked closely with the popular series’ director David Lynch. US composer Angelo Badalamenti, best known for scoring Twin Peaks, has died at the age of 85, his family has confirmed.

Angelo Badalamenti, the composer best known for creating otherworldly scores for many David Lynch productions, from “Blue Velvet” and “Twin Peaks” to ...

He also wrote “The Flaming Arrow” Torch Theme for the 1992 Barcelona Summer Olympics and the theme for “Inside the Actors Studio.” But it’s his work with Lynch that hovers above them all, which would include “The Straight Story,” “Twin Peaks: Fire Walk With Me," “Lost Highway” and “Mulholland Drive.” He wanted the music to be dark and abstract,” he said. He also wrote songs for films like “Gordon’s War” and “Law and Disorder” but his big break came in 1986 when, through a series of industry connections starting with unit manager Peter Runfolo, he was asked to help Isabella Rossellini sing “Blue Velvet” for Lynch’s iconic film. “They were shooting down in North Carolina, and so they flew me down to meet with Isabella and to see what I could do. He composed a Christmas carol for his students that ended up on PBS and essentially launched his career in entertainment, where he wrote songs for Nina Simone (“Another Spring”) and Nancy Wilson (“Face It Girl, It’s Over”). During the summers he would play piano at resorts in the Catskills for the Borscht Belt acts.

A tribute to Angelo Badalamenti (1937-2022), the legendary composer of Twin Peaks, Blue Velvet and Mulholland Dr.

[Roger Ebert](/cast-and-crew/roger-ebert) beautifully captured the tone of Badalamenti’s score in his four-star review, writing, “There are fields of waving corn and grain here, and rivers and woods and little bed barns, but on the soundtrack the wind whispering in the trees plays a sad and lonely song, and we are reminded not of the fields we drive past on our way to picnics, but on our way to funerals, on autumn days when the roads are empty.” Of all the tracks on that album, the one I treasure the most is “Rose’s Theme,” which we first hear as Alvin and his devoted daughter Rose ( [Sissy Spacek](/cast-and-crew/sissy-spacek)) savor a night sky filled with stars. Badalamenti is equally fearsome and oddly hilarious in his cameo as one of the thuggish suits in “Mulholland Dr.” who swoop in to take ownership of a director’s film, all the while criticizing the coffee offered to them in the most grotesque manner imaginable. The film’s score engineer and re-recording mixer, John Neff, told me earlier this year [in an interview](https://indie-outlook.com/2022/05/02/john-neff-on-the-straight-story-mulholland-dr-and-inland-empire/) how he recorded the score, mixed it, and then mixed it into the film in 5.1 surround. Whether she’s stepping out of the darkness or delivering her hopeful monologue about the robins, Sandy is the score’s ray of light, which contrasts with the melancholy glow of Dorothy ( [Isabella Rossellini](/cast-and-crew/isabella-rossellini)), whose crooning of the title tune is accompanied in the film by Badalamenti himself on the piano. Badalamenti and I shared a birthday, March 22nd, and it was in the year of my birth, 1986, that the composer forged his first phenomenally successful collaboration with Lynch in the director’s fourth feature, “ Anderson) snapping away to “Dance of the Dream Man,” Audrey Horne (

With composer credits on over 50 feature films, Badalamenti started his film career as co-composer alongside Al Elias on Ossie Davis' 1973 crime drama Gordon's ...

His big break came in 1986, when David Lynch hired him to be Isabella Rossellini’s singing coach on crime mystery Blue Velvet. Badalamenti won the 1990 Grammy for best pop instrumental performance for the Twin Peaks theme. It was the first of 10 collaborations with Lynch, which included the Twin Peaks TV series which ran from 1990-1991, the 1992 feature Twin Peaks: Fire Walk With Me, and the show’s 2017 revival.

Marianne Faithfull pays tribute to 'Twin Peaks' composer Angelo Badalamenti, who made her album 'A Secret Life' with her.

“He came to me with this idea and asked me to write the words, and I did,” she said. “He was really charming, and so, so talented,” she says. “I’m going to miss him a lot.” “And then he wrote the music and then it turned out really beautifully. “I really adored him,” she says. “It was just outstanding and so good and exactly the sort of music I wanted to do,” she tells Rolling Stone by phone from her London home.

A frequent collaborator with David Lynch, Badalamenti composed dozens of film and TV scores. angelo badalamenti. Composer Angelo Badalamenti has died.

[Julee Cruise](https://collider.com/julee-cruise-dead-at-65-twin-peaks/). He also composed for TV; in addition to Twin Peaks and Lynch's short-lived surrealist sitcom On the Air, he composed the themes for Profiler and Inside the Actors Studio. He returned for Lynch's subsequent Twin Peaks works, the 1992 film Twin Peaks: Fire Walk With Me, and the 2017 Showtime revival [Twin Peaks: The Return](https://collider.com/twin-peaks-theme-song-video/). He also composed the stirring theme for the 1992 Summer Olympic Games in Barcelona. When a Christmas musical he'd written for schoolchildren was broadcast by PBS station WNET in 1964, he came to the attention of a music publisher, and went on to arrange and compose a number of songs, many under the alias Andy Badale. Badalamenti came into David Lynch's orbit when he was hired as Isabella Rossellini's vocal coach in 1986's Blue Velvet.

Badalamenti composed scores for countless films and television programs, his most notable work the unique compositions crafted for cult director David Lynch's ...

[Listen to the Music of David Lynch J Files right here](https://abclisten.page.link/uoatCep9m7R2iEmt9). "He was a masterful composer who helped to create and enhance the most beautiful, dark atmospheres in many David Lynch movies, with his music. "Angelo, thank you for the dreams. "He did Nightmare on Elm Street, he did Blue Velvet, he did twin Twin Peaks, he did Wild at Heart, The Comfort Of Strangers, Cousins… He did lots of television music and then he got into more film composing. The two artists first collaborated on Lynch's 1986 film Blue Velvet, on which Badalamenti initially worked as a vocal coach.

Composer Angelo Badalamenti, best known for Twin Peaks, Blue Velvet and Mulholland Drive has died, aged 85. His great-nephew announced his death on ...

Composer Angelo Badalamenti, best known for Twin Peaks, Blue Velvet and Mulholland Drive has died, aged 85. Lynch and Badalamenti also co-wrote the songs for Julee Cruise’s album “Floating Into the Night,” which included songs from “Blue Velvet” and Twin Peaks, and also co-wrote the music for her second album, the 1993 “The Voice of Love.” Composer best known for Twin Peaks, Blue Velvet and Mulholland Drive, has died.

Angelo Badalamenti, the composer behind several beloved soundtracks, including David Lynch's cult hit "Twin Peaks," has died at 85.

“I tried to make the music have a haunting feeling,” Badalamenti said in 2019 of his “Twin Peaks” score. “The advice was not to follow your dreams, that is too willy-nilly,” she said in a statement to CNN. “Today – no music.” And that’s what he did and now he leaves us with these gifts of true art, this beautiful, visceral art.” And even on those projects, Badalamenti injected some of his unique musical trademarks – namely, the subtle darkness he infused most of his scores with. When producers were seeking a composer to score the film, Badalamenti won Lynch’s favor with an original song, to which Lynch later wrote lyrics, called “The Mysteries of Love.” It’s how I use certain dissonant things, and I pride myself on that.” He taught at a Brooklyn public school after graduating from college and composed music for a televised production of “A Christmas Carol.” He The creative dynamos collaborated closely: While composing Laura Palmer’s theme for “Twin Peaks,” Lynch sat beside Badalamenti’s keyboard and set the scene: Lynch saw dark woods, heard a soft wind blowing through a sycamore tree and an owl hooting. It’s a far more hopeful, personal tale than typical Lynch fare, with a score to match. When Lynch finished dictating the scenes, he leaped up to hug Badalamenti. During this time, he often worked under the pseudonym Andy Badale.