SG Lewis has recruited Tove Lo for 'Call On Me,' the latest single from his upcoming new album, which arrives in January.
Tove Lo).”](https://sglewis.lnk.to/CallOnMePR) For more details and tickets, [visit Lewis’ official website](https://www.sglewismusic.com/). “I tried to do a song in the vein of ‘You Spin Me Round (Like a Record)’,” SG Lewis said in a press release. The record builds on the kaleidoscopic future-disco of his debut album times, in an expansive and ambitious record made of two halves: on one end of the spectrum, he crafts the kind of nocturnal bangers that dancefloors, underground raves, pool parties, and festivals subsist on. [on a tour of the US](https://www.udiscovermusic.com/news/sg-lewis-fall-tour/), which will include a date at the iconic Greek Theatre in Los Angeles on November 4 and conclude in Portland, OR on November 12. “It captures the feeling of lust before any regrets or breakdown in those emotions.
'AudioLust & HigherLove' will be released on January 27th via PMR/EMI.
[here](https://sglewis.lnk.to/AudioLustHigherLoveWE). [SG Lewis](https://readdork.com/topics/sg-lewis/) is currently in the midst of a North American tour run following a plethora of UK shows this summer, including sets at [Glastonbury](https://readdork.com/topics/glastonbury/), [Coachella](https://readdork.com/topics/coachella/), and a sold-out headline show at London’s Somerset House. The full album will be released on January 27th via PMR/EMI.
Tove Lo has mapped out a 2023 North American headlining tour in support of her newly released album, Dirt Femme.
03/03 – Los Angeles, CA @ The Wiltern 03/02 – Los Angeles, CA @ The Wiltern 11/02 – Manchester, UK @ Academy
Tove Lo discusses her new album Dirt Femme, her song Grapefruit, and why people are now apologizing to her for mispronouncing her name.
I was feeling a lot of pressure from various parts of my life, and combined with the ideal of the time — the world around me as a teenage girl was the skinnier the better — I felt that anxiety and depression of not being good enough. I think being so naked onstage, so sexual, to flash my tits — it feels like a victory to me every time because I used to hate my body so much. I’m very grateful that I did all the therapy, did all the body-positivity classes, and did everything I could to find a way to love my body and then deal with whatever was actually going on. I will say, though, that I’d never have gotten the platform I have without a major label. I feel people are just wanting a different pace, not in a bad way, just in a different way than I’m used to. I live in a collective, there’s five of us in this house, so I really needed that space during the pandemic to be extremely dramatic. I feel like the friends I have who are the most like me are the ones who annoy me the most and whom I fight with the most. What’s ended up happening is that I kind of have a dream where he dies or he’s an asshole to me and then I wake up with the biggest fear — like, what if this actually happened? I have to decide the plan. I think it’s important to have people in your life who accept you fully and who you can be yourself around, but I think it’s also important to respect those peoples’ space. It’s a place where I don’t have to modify my feelings. I feel like you can find me there and then when you listen to my music, you’ll be like, oh, wait, she’s actually a serious artist.
Tove Lo Picks Apart Domestic Bliss on the Excellent 'Dirt Femme'. Her first release as an independent artist is a tribute to all the things that define her own ...
Now, as an independent artist standing on her own, Lo is primed to continue setting the bar higher and higher for how to balance deep emotions with incredible pop craft. Some of the best songs are the ones where the singer leans into her party-ready writing capabilities the hardest. The domestic anxiety that comes after falling in love sets in on the album elsewhere. Dirt Femme begins with a break-up: lead single and opening track “No One Dies From Love” is a booming existential crisis about losing the person your whole world revolves around. Her brand of pop music — sharp and catchy — comes with a touch of darkness and grime to it. Dirt Femme, Tove Lo’s first release as an independent artist, is a tribute to all the things that define her own femininity.
Tove Lo's fifth studio album 'Dirt Femme' is a personal look into her mind, while still getting people up to dance.
“I decided to really go for it with this record — I wanted to push myself a little bit,” she added. “It feels like the first time I’m putting out an album again,” she mused in an “When I started out as a writer and an artist, I used to view my feminine traits as weaker and would enhance my masculine traits to get ahead in life.
Little Black Book, Imposter's Lisette Donkersloot digs into a teenage struggle for the GRAMMY nominated artist.
“I hadn’t played a show in two years, so I was back to writing in my bedroom,” she admits. “When I was coming up, I would lean into my masculine traits, because it’s how I thought I would fit into every room of the boys’ club,” she admits. And I have my own definition of feminine now,” she leaves off. Speaking about her work on the music video for ‘Grapefruit,’ director Lisette Donkersloot adds “The idea for the video came solely from listening to the lyrics and Tove’s voice and her emotion in it that really spoke to me. When you listen to DIRT FEMME, I hope it makes you feel like dancing naked in the street and crying at the same time,” she laughs. For tickets and more information, go to www.tove-lo.com One of the many feelings I remember is needing to crawl out of my own skin. The lyrics really gave me an inside into Tove’s mind at a certain point in her life and for the video I wanted to actually do the same: Literally crawl inside her mind. I was back where I never wanted to be again, but I needed to put it on paper right then. I guess I had to find the right way to share the feelings and the vicious circle of behaviour I was stuck in. To me, it felt like a victory every time I felt good about myself. I did this movie in Sweden, and they asked me to lose eight pounds in two weeks.
Friday has rolled back around, which means there's new music ashore. It's a big week for the long-form project, with new albums from Tove Lo, The 1975, ...
“HE SAID SHE SAID HE SAID” responds to that pain with anger and release. “Morning Elvis,” first released on Florence and the Machine’s album “Dance Fever,” is all about the sense of sadness and loss that comes with the inability to perform during the pandemic. The song itself embodies the fulfillment of that need. “Suburbia,” as well as much of her new album “Dirt Femme,” is a prime example of that ingenuity. In describing the song’s impetus, Ballentine says, “I wrote “Whatever Fits Together” while reflecting on my past and wondering how I might begin to explain it to someone. Maybe Betty Who’s new album isn’t meant for the club, but it’s perfect for the pregame. Prolific rapper Lil Baby proves his sheer skill on his new album “It’s Only Me.” This is his spotlight, his moment. Noah Kahan’s new album “Stick Season” proves that the neo-folk revival is coming. “Whatever Fits Together,” part of her highly anticipated debut album, Quiet The Room sees the artist at her most intimate–sharing tales of her childhood and hometown. With fourteen fresh tracks, the California-based musician ushers a new era–characterized by unapologetic confidence and unseen intimacy. Check out “Wintering” for some quaint storytelling that’ll make you look closer at the small joys in your own life. Plus, some fantastic live recordings from MUNA and Florence and the Machine.
Opening up a new phase, Tove Lo's fifth album sees her deconstructing and rebuilding her identity like never before.
“I’m not saying there’s anything wrong with wanting that sort of traditional life; I just never felt comfortable in that world,” says Tove. She took a break from being an artist, got married, finished up her major label record deal and entered a new phase of her career. Her 2014 breakout single ‘Habits’ detailed partying hard and frequenting sex clubs to get over a breakup, flashing the audience is a mainstay at her shows, and she lives in a ‘collective’ with five friends in Los Angeles; it’s a far cry from the traditional upbringing she had in Sweden.
The Swedish pop star tells The Daily Beast why she feels more “free” than ever on “Dirt Femme,” her first album as an independent artist and a married ...
[Bikini Porn](https://www.youtube.com/watch?v=YhcSy28XDS0).” It’s a fear that became all the more real in 2020, when she and Twaddle decamped to Las Vegas for a chapel wedding in the middle of the pandemic. There’s a lot of cool DJs and cool places, but you have to go down to the shittier venues with not the best sound. “I got a friend who’s an absolute techno nerd, so I’ll just go with her to a lot of the more rave-y venues in L.A.,” she says. “The last time I had that kind of time was for my first album.” “In my mind, I had just put out an album and I was supposed to tour all year, and then my deal was up, and I didn’t feel like writing for the first year, almost,” she recalls. You can do anything else that you like to do, and it’ll probably resonate with some people because it’s such a massive place with a lot of niche lanes to go down.” “When I got married, it was like, ‘Oh, you’re doing something normal, you’re like us.’ I felt it from family and friends in a way that’s like, so what am I supposed to do? On “True Romance,” she forgoes her typically cool delivery in favor of a guttural chorus that transforms into a satisfying, full-throated shout the second time around. A few days before our call, she was in Estonia shooting the video for “2 Die 4,” the third single off Dirt Femme. “I paid for ‘Glad He’s Gone’ ‘cause it was just too much of a budget for a label to support. Along the way, Tove sprinkled some of her smudged-eyeliner suavity into songs by Lorde, Hilary Duff, and Dua Lipa, whose 2020 track “Cool,” written by Tove, features the lyric, “I could see us in the real life”—the sort of slight butchering of the English language that turned other Swede-penned songs like “...Baby One More Time” (written by Tove’s one-time collaborator Max Martin) into instant classics. “Being with a major label—the main need is to sell records, because it’s supposed to be commercially successful music.