House Of The Dragon' Episode 7

The 7th episode of "House of the Dragon," titled "Driftmark," gives us a glimpse of the conflict that was going to engulf Kings Landing sooner than later.

Firstly, she loved him, and secondly, she knew that she had to strengthen her claim to the Iron Throne. He resumed his duties and knew that he was closer to his goal than ever. It was also symbolic of the fact that a blood bath was soon going to follow. She needed somebody to protect her, and she knew that Laenor wasn’t up to the challenge. They had Vhagar by their side and they knew that the inclusion of another dragon in their team had somewhat tilted the balance in their favor. He was aware of the harsh realities and that is why the desire to live long was slowly dwindling as he didn’t want to witness whatever this conflict entailed. Rhaenyra wanted Aemon to be apologetic for the fact that he questioned the legitimacy of her sons. He went close to Vhagar, the dragon that was ridden by Laena Velaryon and was once the pride of Driftmark. The young boy was well aware of the fact that he was an illegitimate offspring of a union that nobody was ready to recognize. She had said that though Aemond would one day ride a dragon, he would have to sacrifice one of his eyes. He mounted the beast and held the reins to tilt the odds in his favor. He had told Aemond, during the funeral ceremony, that he was unwilling to marry her because they didn’t have anything in common, and a lot of times, he didn’t understand the gibberish she spoke.

In a House of the Dragon episode with Rhaenyra Targaryen (Emma D'Arcy) and Alicent's (Olivia Cooke) coming Dance of the Dragons, and exploring how Laenor ...

[the royal children](https://www.polygon.com/23368925/house-of-the-dragon-kids-who-rhaenyra-alicent-daemon-jace-joffrey-aegon) that goes from bad to worse in — ahem — the blink of an eye. It’s enough to make [Viserys’ (Paddy Considine)](https://www.polygon.com/23328660/house-dragon-viserys-iron-throne-cut) plea for a return to the family’s status quo seem almost comically out of touch, a referee trying to stop World War II with a whistle. Again the episode chooses a ritual — the most elementally basic, the literally Biblical tradition of an eye for an eye — as the focus of its conflict. Through the ritualistic demand we get a glimpse of the real Alicent, a confused and frightened woman left in a permanent state of panic by her father’s abuse. Rhaenyra’s secret marriage to her [uncle Daemon (Matt Smith)](https://www.polygon.com/e/23144854) serves to inflate her reputation as a ruthless power player, and sir Laenor’s duel with his lover Qarl (Arty Froushan) provides cover for their bittersweet escape from the bloody power games of the royal court. The scene is lit and shot like something out of Neil Marshall’s [The Descent](https://www.polygon.com/hulu/2020/4/18/21224924/best-horror-movies-on-hulu), torchlight flickering over the faces of the young heirs to the Targaryen dynasty as their childish squabble rapidly turns bloody, fists and feet giving way to rocks and knives. While [House of the Dragon](https://go.redirectingat.com?id=66960X1516586&xs=1&url=https%3A%2F%2Fwww.hbomax.com%2Fseries%2Fhouse-of-the-dragon%3Foffer_id%3D5%26transaction_id%3D102c87c7%255B%25E2%2580%25A6%255D4ed39326beedc6012ca%26utm_source%3DVox%2BMedia%26utm_medium%3Daffiliate&referrer=polygon.com&sref=https%3A%2F%2Fwww.polygon.com%2F23383650%2Fhouse-dragon-episode-7-review-laenor)’s seventh episode does a great deal to show Westeros sliding uncontrollably toward what will surely prove a calamitously bloody war, its own body count is comparatively modest by [the series](https://www.polygon.com/house-of-the-dragon)’ standards. From the somber but politically charged opening funeral scene to the darkly majestic and disturbing claiming of [the dragon Vhagar](https://www.polygon.com/e/23145224) by the young prince Aemond (Leo Ashton), “Driftmark” moves at an effortless clip. [Miguel Sapochnik](https://www.polygon.com/23331775/house-of-the-dragon-miguel-sapochnik-leaving-showrunner-alan-taylor) and writer Sara Hess pull it off with aplomb. His delight at her evident unwellness is perhaps the episode’s most sickening sight, a further deception concealed behind his somber façade and the arcane traditions of the royal court. [fake Ser Laenor’s (John Macmillan) death](https://www.polygon.com/e/23144583), is a case study in the episode’s preoccupation with social rituals as a means of concealing and revealing truth. Laena’s funeral provides her uncle with a chance to launch a veiled barb at Rhaenyra (Emma D’Arcy) over the parentage of her sons.

Kathryn VanArendonk is a critic who writes about TV and comedy. She gets mad when people say TV is a ten-hour movie. The night scenes in “Driftmark” were shot ...

After gasp-inducing violence and an unearthly consummation, there's now a dangerous union you really don't want to mess with. This mean all-out war.

"Hand turns loom; spool of green, spool of black; dragons of flesh weaving dragons of thread."

Fans complain that some scenes in the 'House of the Dragon' are too dark to watch, but HBO has defended the lighting by calling it an 'intentional creative ...