End of the Road movie

Queen Latifah's End of the Road is a film packed with music but which songs feature in the explosive soundtrack?

End of the Road is available to stream now on End of the Road is packed with music throughout its 90-minute runtime and the songs that feature in its soundtrack are: End of the Road soundtrack But which songs feature in the soundtrack of End of the Road and who composed the film’s all-action score? End of the Road release date and plot preview [Netflix’s](/en-gb/topic/netflix/) newest high-octane thriller, End of the Road, is a film that understands this and is packed with powerful music as a result.

Our PLAY, PAUSE, OR STOP? review of the new Queen Latifah movie now streaming on Netflix. by Andrew Morgan Published on September 9th, 2022, 2:13 pm EST.

Produced by Queen Latifah & “Saw” franchise producer Mark Burg, End of the Road limps to the cross-section between a road trip crime film, a “duffel bag full of money” film, & a family drama. Noticeably directed by veteran TV/music video director & first-time film director Millicent Shelton, this movie has the look & feel of a low-budget TV movie version of a thriller. The dangers of the open road where no one can hear you scream and the law is of very little use. Alone in the New Mexico desert, they have to fight for their lives when they become the targets of a mysterious killer. While traveling on a tight budget, they stay the night in a cheap, seedy motel. Let’s dive in with our should you watch review of the new movie headlined by Queen Latifah.

The Gist: Brenda (Latifah) rings up a first-aid kit, tow rope and road flares the local convenience mart. “Road trip?”, asks the clerk. “No.

The Queen gets violent. The Queen gets gritty. The Queen gets mad. Or call the cops, for that matter, a point that’s driven home later in the movie with all the subtlety of a ball-peen hammer to the cranium. The Queen doesn’t play morons. They hop in the SUV and pull out and drive for a bit and make it to Texas and move on: school, work, live, laugh, love. Performance Worth Watching: The Queen, of course. Reggie looks around and spots the tote bag, which is hard to miss, since it’s right there in the foreground, center frame. It’s for sure a B-movie, but does the B stand for “breathtaking” or “bottom of the barrel”? Brenda, being an ER nurse, rushes in and tries to save the dirtbag’s life. They get harassed by slack-jawed racists with overalls and a deer rifle, but Brenda gets them out of trouble by allowing them to psychologically degrade her. The Gist: Brenda (Latifah) rings up a first-aid kit, tow rope and road flares the local convenience mart.

Director Millicent Shelton delivers a popcorn movie with some applause-worthy twists that works both as an affecting family drama and a tight little thriller.

Is the Last of Us Part 1 on PlayStation 5 that much better than the PS3 or PS4 Remake? The script also gives the family plenty of scenes that ground them as a foursome who irritate but deeply love one another. Moore (House Out of Order) and David Loughery (The Intruder) are able to fuse together a warm family drama with a thriller that seeds its competent characters and story logic very well, so the big turns feel earned and plausibly established. End of the Road could have been a much dumber movie, like a whole lot of action thrillers tend to be, but screenwriters Christopher J. Bad to worse comes with a stay at a cheap hotel where a gunshot is heard in the room next door and Brenda, as a licensed nurse, goes to help and finds a man bleeding out from the neck. For a lot of families, spending part of their summer crammed together inside a car traveling somewhere far away is a rite of passage that ultimately challenges even the calmest of nerves.

Latifah and co-star Ludacris elevate a generic action-thriller to something more genuinely thrilling.

Ultimately, Shelton crafts a gritty, entertaining, emotionally engrossing ride of a movie that’s part Taxi, part No Country For Old Men, and just a smidge Are We There Yet? Latifah’s Brenda is tough, loving, raw, and real, and she kicks complete and total ass when compelled to do so during an extended sequence where the character takes on a bunch of bad guys and gals with her fists and feet, a broken bong, and a rifle. Although Brenda and her family, who are African American, seem to only run into one-dimensional, “bad” white people, the conversations they have amongst themselves ring more complex and true. Latifah even gets to deliver a couple of Clint Eastwood-esque bits of dialogue. Brenda quickly gets Reggie to divulge what he’s done to land them all in trouble, but the wheels—literally and figuratively—are in motion. Unbeknownst to Brenda, Reggie—an inherently decent semi-stoner who works at Chik-Fil-A—grabs a bag full of cash the dead guy had stashed away.

Unbeknownst to Brenda, Reggie found a bag of money while helping her tend to the victim. And he took it, hoping to relieve some of his family's financial stress ...

[Spoiler Warning] And while Brenda holds this stance throughout the film, she eventually gives in and allows Reggie to keep some of the stolen money after they finally escape Mr. Brenda has to get her hands dirty to avoid being raped and killed. Brenda also threatens to snap the neck of a woman. So we’re invited to be “understanding” when Reggie wanted to take the bag of money to begin with. And when Brenda is nearly raped, her attacker makes a crude statement about being white. We also hear multiple uses of “a–,” “a–hole,” “b–ch,” “d–n,” “d–mit,” “h—” and “p-ss.” Then, the men who harassed her force Brenda to apologize for endangering their “white” lives. Then she bashes in a window with a baseball bat to retrieve the money. We see a flashback to Brenda and Jake kissing. A couple has sex in the background of a party scene. He protects them from danger when his sister can’t, offers them comfort about their dad and encourages them to make the world a better place. When she blows them off, they chase after the family in their truck, trying to run Kelly’s crew off the road.

The Queen Latifah-starring killer-car movie is bang in the middle of the heap.

The car might be in the middle of nowhere, but the film ironically ensures that they stay in the middle of nowhere even after they reach Texas. Follow us on [also read] [Entertainment](https://www.firstpost.com/category/entertainment) [Elton John pays tribute to Queen at his final Toronto show: ‘She worked bloody hard’](https://www.firstpost.com/entertainment/elton-john-pays-tribute-to-queen-at-his-final-toronto-show-she-worked-bloody-hard-11216781.html) End of the Road wants to be both but ends up as neither, largely because it actually tries to cobble together a heart at the center of it all. Not to mention the amusement-park-level fetisization of the wild wild West, where danger lurks at every corner…and now I’m starting to sound like the creepy prologue of [Michael Jackson](https://www.firstpost.com/tag/michael-jackson)’s Thriller. Night Shyamalan](https://www.firstpost.com/entertainment/the-m-night-shyamalan-interview-ramifications-of-pandemic-coincide-with-the-minimalistic-way-i-like-to-tell-my-stories-9175411.html) film pursues them through the woods in a car chase that’s straight out of a neon-lit Tarantino wet dream. The genre is such that either it should be relentless action (like [Mad Max: Fury Road](https://www.firstpost.com/tag/mad-max-fury-road)) or retro-corny horror (Death Proof). Every time the family gets out of a pickle, they go on their merry way only to get into another – the writing lacks emotional continuity, and everything feels like a gimmick to present Brenda as a dangerous-when-wounded mom who stops at nothing to protect her family. [Steven Spielberg](https://www.firstpost.com/tag/steven-spielberg-movies)’s first film, Duel, a “killer car movie” on an American highway. Brenda speaks of her father being a Colonel in the army and how he taught her how to hunt and use a gun – a not-so-subtle sign of the chaos that lies ahead. The stage is set for a difficult, moving reflection on love, loss and identity. End of the Road starts promisingly – especially if you go in blind. But that’s where the road ends.

Four people sit in a car on the road, the driver adjusts the rearview mirror. Not exactly the road trip they had in mind. Credit: Ursula Coyote / Netflix ...

Several scenes are more than intense and upsetting, with the director not letting the audience rest for one minute more than her onscreen protagonists. And it’s within these scenes that Shelton allows her core four actors to explore themes of family, strength, and resilience amid playful banter and solid burns, making space for the film’s protagonists to connect as a family amid all this terror. (Without spoiling anything, just know the nest of neo-Nazis Brenda drives into do not end up with the upper hand.) Brenda is absolutely exhausted by the film's final moments, and she should be. Most of all, the four consistently do anything to keep each other safe, supported, and together through it all. And while this film's narrative may not reinvent the wheel — innocent road trippers see something they shouldn't, take something they shouldn't, get a "we know what you did" call, and have to outrun a mysterious killer in an isolated environment — End of the Road has more to say. Shelton makes a social thriller of it, moving the film’s Black protagonists through an unrelenting hellscape of white supremacy when all Brenda wants to do is drive her family to their new home in Houston, Texas, and start fresh.

This article discusses the ending of the Netflix film End of the Road (2022) and will contain spoilers and plot points.

Cross who orders her to take the money to his house to save her family. The bag of money left at their doorstep wasn’t enough to dissuade the geriatric drug lords from chasing the family. A helpful state trooper spends the first half of the movie trying to protect the family…. The reveal explains how he knew about the missing money when he approached Reggie and Kelly at the diner. Reggie steals a bag of money from the dead man, turning the four of them into the targets of a local crime boss, Mr. [End of the Road](https://readysteadycut.com/2022/09/10/review-end-of-the-road-2022-netflix-film/) follows widowed nurse Brenda, her brother Reggie, and her two kids as they’re moving from Los Angeles to the state of Texas.

After booking a stay in the room next door to Harvey, the family hear a gunshot from the man's room. When Brenda and Reggie investigate, they find his dying ...

Brenda is not happy about this news and she tells her family that they need to give it back. At this point, Brenda arrives and is elated to see that her family are safe. The captured trio manage to escape and when Hammers tries to stop them, they throw bleach in his eyes. On her return to the motel, she realises the money has been taken. Cross and that if she wants to see him again, she has to deliver the money to a specific location. Hammers introduces the two of them to his wife, a woman who looks warm and hospitable. Hammers (Beau Bridges) asking her to return to the motel and another is from a stranger who demands that she give back the money. The money is originally in the hands of a drugs cartel and this is later passed to two men who work for the mysterious Mr. Cross, they tremble at the name and give the money back to her. After speaking to the stranger, she realises what Reggie has done. So, what happens to the money? But none are as stressful as the road trip faced by Brenda (Queen Latifah) and her family in Netflix’s new thriller.

Where was End of the Road on Netflix filmed? Let's consider the filming locations behind the 2022 movie on Netflix with Queen Latifah.

I just remember how scary it was just some of those dark roads. A town called Moriarty in Torrance County, New Mexico was also an important location. Directed by Millicent Shelton, the film follows Brenda (played by Queen Latifah) who has recently become a widow.