Beyonce Renaissance

More than six years after the lauded visual album Lemonade, Beyoncé returns, evolves and responds to a very different world.

You may click on “Your Choices” below to learn about and use cookie management tools to limit use of cookies when you visit NPR’s sites. If you click “Agree and Continue” below, you acknowledge that your cookie choices in those tools will be respected and that you otherwise agree to the use of cookies on NPR’s sites. NPR’s sites use cookies, similar tracking and storage technologies, and information about the device you use to access our sites (together, “cookies”) to enhance your viewing, listening and user experience, personalize content, personalize messages from NPR’s sponsors, provide social media features, and analyze NPR’s traffic.

Popular on Rolling Stone · Yes, Renaissance is a dance album. But where are the ballads? · No, “America Has a Problem” isn't an explicitly political song. But ...

“I can be the one that takes you there/I can be your ecstasy,” she sings on “Virgo’s Groove” while inviting the lover she’s relaxing with to lift her blouse. “I like it rough,” she lilts on “Plastic off the Sofa.” For “Heated,” she flirts, “Now I want to flaunt it/Panty and a bra/We can get involved.” She also seemingly references chemical substances. However, she also clarifies on “I’m That Girl,” “Don’t need drugs for some freak shit/I’m just high all the time.” “Comfortable in my skin/Cozy with who I am,” she sings on “Cozy.” “Paint the world pussy pink.” “I just fell in love/I just quit my job,” she sings. (As with everything Beyoncé does, this one verse generated Great Resignation headlines by itself.) Meanwhile, on “Energy,” she rhymes, “I just entered the country with Derringers/’Cause them Karens just turned into terrorists.” “Just know I roll with them goons/In case you start acting familiar/This kind of love, big business,” she asserts in a sung-rap flow. Songs like “Halo” and “Irreplaceable” remain some of the most treasured numbers in her extensive catalog. Just as the interpolation of Robin S.’s “Show Me Love” in “Break My Soul”promised, Renaissance has melodies that hearken to peak hours in club history. No one expects Honey Dijon — the famed DJ who co-produced “Cozy” with another Chicago house legend, the delightful oddball Green Velvet — to throw on a beat-stopping ballad in the middle of a Boiler Room set. “Crazy in Love,” “Baby Boy,” “Single Ladies (Put a Ring on It),” “Love on Top,” “***Flawless”: there are too many classics to list here. From the instant hit “Break My Soul” to her photo shoot for British Vogue and making physical copies available for pre-order on her website (sorry, they’re currently sold out), the release of Reniassance has been one of the more refreshing, and exciting, rollouts of the past year.

"Act I" of Beyoncé's seventh studio album, recorded over the last three years of pandemic life, has just gone live.

Really, what could say “I desire a release from ennui” like riding through the universe on a horse made out of the galaxy brain meme? Said themes include a general desire for freedom, escape, joy, and other reliefs from the monotony that we imagine gets down even those of us who happen to be Beyoncé; of course, you didn’t really need us to lay that out for you, since all those ideas are perfectly encapsulated in the album’s cover. More specifically, she’s released Renaissance: Act I, but since this thing is 16 tracks long, we’re going to go ahead and take it as qutie a bit more than a prologue.

Beyoncé's seventh album, "Renaissance," is a 16-song opus that delves into sex and self-worth, all while beckoning listeners onto the dance floor.

“Summer Renaissance”: Beyoncé wraps her ambitious opus with a nod to Donna Summer as a sample of “I Feel Love” swirls in the background. “Plastic Off the Sofa”: Beyoncé’s tremendous vocals are showcased in this pretty package of soulful nostalgia that cools down the tempo with woozy guitar strains and angelic backing vocals. “Energy”: A spicy banger that features Jamaican rapper Beam and samples Kelis’ 1999 song “Get Along With You,” which has incited some controversy. “America Has a Problem”: The most intriguingly titled song on the album includes production from The-Dream, a co-write by husband Jay-Z and a jittery hi-hat powering the production. “Move”: With guests Grace Jones (!) and Nigerian singer Tems backing her, Beyoncé is strident and fierce. “Alien Superstar”: Synthesizers creep in the background of this futuristic romp that is lyrically rich and musically zigzagging.

The artist's first record since Lemonade has been met with a blockbuster response – and a spot of controversy.

In a Guardian interview from 2020, Kelis claimed she was “blatantly lied to and tricked” by her early collaborators the Neptunes and, as a result, “made nothing from sales of her first two albums”. In a Vulture interview earlier this year, Hugo brushed off the comments: “I heard about her sentiment toward that. House musician Robin S, whose track Show Me Love is sampled in Beyoncé’s Break My Soul, has said she was also unaware of the usage before the single’s release – though she received the news more positively. “I appreciate you for calling out anyone that was trying to sneak into the club early.” “I can’t thank y’all enough for your love and protection,” she said. A place to be free of perfectionism and overthinking. A place to scream, release, feel freedom.”

The pop star's seventh solo album is “Act I” of work born during the pandemic, a time she “found to be the most creative,” she said in a statement.

“He was my godmother and the first person to expose me to a lot of the music and culture that serve as an inspiration for this album,” she wrote. The performance was later turned into a Netflix special and an album, both titled “Homecoming.” In an explanatory statement posted to Instagram last month that Beyoncé expanded on her website on Thursday, she said “Renaissance” was part of a “three act project” she recorded during the pandemic. A place to be free of perfectionism and overthinking. She announced the album more than a month ahead of time, did an interview with British Vogue, put out the single “Break My Soul,” revealed a track list and finally began posting on TikTok. “I’ve never seen anything like it,” she added, thanking her followers “for your love and protection.”

Kelis just found out her song 'Get Along With You' will be sampled on Beyoncé's Renaissance and calls it theft. Musician Kelis recently found out that her.

“Thique” “Move” “Energy” “Cozy” She also revealed that the album will be a three-part project, read below for her full statement: To add even more salt to the wound, in the songwriting credits for ‘Energy,’ her name appears to be missing while Pharrell Williams and Chad Hugo are credited.

Milkshake” is interpolated on “Energy.” When she heard a song was sampled, Kelis likened it to “theft.” She is not listed as one of the producers, ...

I am honored, and I’m excited to see what else can happen.” “I was told we were going to split the whole thing 33/33/33, which we didn’t do,” she said. While “Milkshake” is formally a Kelis song, she is not listed as one of its producers, composers, or lyricists, per Tidal credits. Kelis made her remarks in the comment section of a post from the @kelistrends fan page. “My mind is blown too because the level of disrespect and utter ignorance of all 3 parties involved is astounding,” she commented from the verified account for her company Bounty & Full. “I heard about this the same way everyone else did. “Their argument is: ‘Well, you signed it.’ I’m like: ‘Yeah, I signed what I was told, and I was too young and too stupid to double-check it.’”