John Mulaney and Andy Samberg voice the animated chipmunks in a half-subversive riff on 'Who Framed Roger Rabbit.'
In the end, this is still a product of the house the mouse built, though it’s weirder than the norm — just the company proving it can laugh at itself provided the jokes aren’t too pointed. Ugly Sonic — as in the version of Sonic the Hedgehog who was scrapped after fans revolted against his unsettling human teeth — plays a small but pivotal role as another animation D-lister (voiced by Tim Robinson, even). And the main baddie, Sweet Pete (Will Arnett), is actually Peter Pan, who grew up and turned to a life of crime after, like many a former child star, being deemed un-castable as an uncute adult. A villain’s lair is located in the Valley, as in the Uncanny one, populated by the cats from Cats and a few dead-eyed motion-capture characters from The Polar Express and Beowulf (another, less flattering, nod to Zemeckis). J.K. Simmons is a delight as Captain Putty, a police chief in the style of a Gumby character who’s able to use his Claymation for some formidable fighting moves. The original Chip ’n Dale: Rescue Rangers makes them stars until Dale tries to go solo, their show gets canceled, and an embittered Chip goes off to lead a normie life while Dale gets 3-D surgery and rides out his waning fame signing autographs at fan conventions and holding out for a reboot. Like Robert Zemeckis’s 1988 movie, it’s set in a reality in which cartoon characters live among us and takes the form of a Hollywood mystery in which past-their-prime animated stars have been vanishing. Chip ’n Dale: Rescue Rangers is well aware that, as a combination live-action and animated sequel (of sorts) to the Disney show of the same name, it’s as much a product of the current IP hellscape as any of these spoof titles.
Chip 'n Dale returns with a new movie on Disney+ that pays homage to the history of animation.
The straight-to-Disney+ buddy movie offers an exciting taste of what Disney can achieve when it decides to take risks and get clever when it dusts off its extensive archives. Its wackiness retains wit, doing a fantastic job praising Disney’s contribution to the animation landscape over the past three decades (including Rescue Rangers’ bite-sized place in that period). Simultaneously, it disses Disney and its animation “rivals” Dreamworks, Nickelodeon, and Cartoon Network (among others), making a caricature of Hollywood’s obsession with nostalgia pandering. Chip ‘n Dale: Rescue Rangers is a romp around a meta and multi-studio Toontown-in-Tinseltown that serves as an ode to (and diss track of) animation. If you were a kid in the 80s, you likely tuned your TV on weekday afternoons and stopped at the sound of Mark Mueller’s infectious “Ch-ch-ch-Chip and Dale, Rescue Rangeeeeeers” theme for the animated adventure comedy. The two soon take on the role of a lifetime — real-life amateur investigators — after one of their mutual friends with a stinky cheese addiction goes missing. The new movie will have you rooting for Disney's oldest anthropomorphic bromance with lines crammed with smart jests, scenes packed with goofs, and a ton of heart.
In this Akiva Schaffer interview, the Lonely Island comedian talks about directing Chip and Dale Rescue Rangers, helping with the script, and crossovers.
I think I’ll celebrate the Disney+ release, but I do wish, if I knew it was going to be a crowded theater, that people could have that experience. Jorm was stuck in New York and Andy was stuck doing his thing, and I was doing this movie. Every day, we would have iPads on set and I would be able to have the crew gather around and be like, “Here’s what we’re filming today.” They could see a rudimentary version of it and we could go, “Okay, let’s do shot 1.” I’m trying to think of the fastest way to tell it all, but on set it was the fun of having dolls of Chip and Dale—you have eye line things that are like LED lights on little sticks so people know where to look. I color-corrected on a big screen, just the way you would for a theatrical movie. It was not easy and I keep giving big shout-outs to the lawyers—I always keep making a special point of that. I think we’re going to wait and see how people enjoy this film, but I think you can put in your request straight to Bob Chapek. Just write him an email. That’s part of what I was so excited to learn—getting to work with storyboard artists, creating animatics, and just do what you think of as classic animation the exact same way you would if you were making a Pixar movie. I love the Sonic movie and I’m very excited to see the second one. The producers dug it out because they always loved it and were like, “This has gotta go somewhere.” When they brought it to me, I definitely had a lot of things I wanted to do with it, and I was lucky that Dan and Doug agreed to come back on. The whale rap is definitely me and Andy. Dan Gregor and Doug Mand wrote it so I want to be careful about not taking any ownership away from them having written it, because their script was so good and that is what attracted me to it. I thought it was super funny and clever, and then I was also excited about learning modern filmmaking which is the live-action hybrid stuff. For Schaffer—who got his start by directing and editing goofy videos of Samberg and Jorma Taccone fake-rapping when they were just teenagers—it was a legal headache that was worth it.
A Shrek for a new era, as Disney lets Lonely Island go nuts (in PG fashion).
Dale, as part of a running gag in the film, has gotten "CGI surgery" and emerges as a fully 3D-rendered chipmunk. We get to see each lead character move on from early '90s fame to their "adult" lives for the next 25 years or so before they're forced to reunite. So much so, in fact, that I watched the entirety of the credits to see exactly who got thanked for allowing their biggest franchises to be either passive-aggressively mocked or outright, er, melted in this film.
It wouldn't be a Disney movie without some Marvel references throw in but Rescue Rangers went for some deep cuts.
Sadly in the Rescue Rangers verse the title was changed to Ant-Man, though in the closing credits we do see a poster for the fictional film: Paul Rudd in his Ant-Man costume, minus the helmet, poses with several aunts. In the Rescue Rangers movie, it seems Tigra never got much acting success outside of the short lived series, the banner at her booth features nothing but photos from the short-lived series and the inviting statement, “Meet the Were-Woman In Person!” No, Rescue Rangers goes for the deepest of deep cuts.
The satirical movie comes from The Lonely Island comedy team. "Chip 'n Dale: Rescue Rangers" is exclusive to Disney Plus and won't be in theaters.
You can also download movies and shows from Disney Plus to watch offline later. If you buy them, we may get a small share of the revenue from the sale from our partners. You can download the Disney Plus app on iOS, Android, PlayStation, Xbox, and most smart TV and streaming player brands. For more details, check out our full Disney Plus guide. Disney Plus costs $8 a month or $80 per year. The pair have been separated for years at the start of the film, but find themselves thrust back together when a former member of their show disappears.
Sonic, South Park, He-Man and Seth Rogen are among the surprising cameos in the Disney+ animated movie Chip 'n Dale: Rescue Rangers.
The best part of the cameo is that Charles Fleischer reprises the character he voiced in the Robert Zemeckis classic starring the legendary Bob Hoskins. (Additional fun fan note: Eddie Murphy once said that Who Framed Roger Rabbit was the only film on which he ever regretted passing.) Toward the end of the film, in the same convention scene with He-Man and Skeletor, Pete bumps into one of the classic Disney Peter Pan Lost Boys. After he notes, shocked, that Peter grew up, Peter responds: “Yeah, death is coming for us all, kid.” One of the funniest moments in the film is between He-Man and Skeletor, who appear together at a fan convention. Rendered in their classic He-Man and the Masters of the Universe ’80s animation, the duo is at a table signing pictures when Chip and Dale run underneath to avoid trouble. The fan-favorite South Park character is seen briefly hanging out in a bathhouse sauna while Chip and Dale are on a mission. The poor guy is trying to get by in the industry as best he can — but it’s pretty clear opportunities have dried up and cons are his main source of income.
Stars Andy Samberg and Kiki Layne and director Akiva Schaffer talk their meta animated comedy now streaming on Disney+.
As to who she’s like to see show up in that film, she laughed, “If Phil and Lil [from Rugrats] made an appearance, I would probably faint.” He also mentioned how expensive it was to make Roger Rabbit because of the licensing deals and that he’s happy for comparisons “as long as the comparisons are nice and fair…[because] it is the gold standard.” The biggest irony of doing a film that’s a comeback story that makes fun of reboots and comeback stories is that there is probably already talk of a sequel. It depends if we can split the last one … and Harry Potter the last book.” But the actress, who grew up on Nickelodeon cartoons like Rugrats and Hey Arnold!, said the beauty of this film is that “they grounded these animated characters in the real world. (In addition to briefly reprising his Lion King role as Pumba the warthog, Seth Rogen plays a motion-capture Viking dwarf from the early 2000s era of animated films and games who can never quite make eye contact.)
Take away the cameos—in the recording booth, and animated on-screen—and you get something that's a little too close to the same old junk.
The Henson company tried something similar to this a few years ago with vats of bodily fluids in the godawful “ The Happytime Murders.” This movie isn’t that bad, which is a plus. At the least the premise is funny: former enchanted sweetheart Sweet Pete ( Will Arnett) has been kidnapping characters and changing their physical features, “bootlegging” them for knock-offs. It doesn’t help that the jokes not related to current properties just aren't funny or memorable. This movie is directed by Akiva Schaffer, and stars Andy Samberg voicing as Dale, so technically that makes it a Lonely Island movie (their third member, Jorma Taccone, does bit voice parts). That inherently raises the pedigree for it, especially with how they have previously parodied pop music and success in the past. One such inspired idea is how this movie casually includes different eras and recognizable styles on animation, recognizing that we've all become historians in the industry, whether we realize it or not. Chip and Dale are smart candidates for a reboot—they’re a recognizable cartoon Disney duo, even if one doesn’t know their series, or have a nostalgia for them in the slightest.