Ozark

Fans of the Jason Bateman and Laura Linney-led thriller Ozark are thrilled to have the series back on Netflix for its final part, but viewers didn't expect ...

- Episode 12: Trouble The Water - Episode 10: You’re the Boss - Episode 8: The Cousin of Death

Netflix's 'Ozark' ends as a thrilling, yet disappointing take on a criminal family ; Jason Bateman as Marty Byrde and Laura Linney as Wendy Byrde on the Netflix ...

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Ozark season 4 part 2 finally premiered and brought the hit crime drama to an end, but not everyone made it out of the final episodes alive.

Omar had been seen throughout the season from prison, but just like his nephew Javi, he doesn’t make it out of season 4 part 2 alive. However, Javi’s death isn’t the only murder Ruth becomes involved with in Ozark season 4 part 2. Likewise, Ozark still reels from the aftershocks of a major death that went down in season 3.

Acting has always come naturally. Now he's happier behind the camera.

“It’s just purely there to service the story and just sort of disappear, just being some sort of a proxy for the audience.” When Bateman was directing, she says, his experience and temperament allowed everyone to “take a deep breath, a deep sigh.” The pilots, the occasional part in a failed series, a bit part in a “Hart to Hart” TV movie. “To me, the creative challenge is bringing millions of people who have had a different day than the person sitting next to them into the theater and to have the same sort of shape curating their experiences,” he says. “I saw Jason Bateman was the fourth name,” he says. Mitchell Hurwitz was casting for a show on Fox called “Arrested Development.” The idea would be to transform and poke at the traditional family sitcom. “He likes to talk but there’s a limited window,” says Jennifer Aniston, another close friend who has been in five movies with Bateman, including “Horrible Bosses” and “The Switch.” “When you’re gathering in a group, JB gives you maybe an hour. He says he’s seen maybe three episodes of “Friends” and never caught “Breaking Bad.” He started watching HBO’s “The Wire,” but stopped after six episodes because he found it hard to get into. Part of this is rooted in his decision to quit drinking in 2002, but it also speaks to a lack of pretension, and a perspective he formed years ago. In one of the show’s last episodes, he snaps in an afternoon traffic jam, springing out of the family minivan to violently beat a stranger, all to the soundtrack of Todd Rundgren’s “I Saw The Light.” “There’s a reason Marty is not hysterical,” says Bateman. “Because he’s the center of all the madness. “Ozark” tells the story of the Byrde family as it relocates from Chicago to Missouri’s Lake of the Ozarks so Marty can get to work laundering millions for a Mexican drug cartel.

The final batch of “Ozark” episodes sees the Byrdes beset on all sides by forces committed to seeing them fail—and features some of the finest acting of ...

Compounding their narco nightmares, Marty and Wendy are also dealing with a variety of crises at home, including Jonah’s (Skylar Gaertner) continued estrangement from the family (he’s still living at the Lazy-O Motel), and the newfound alliance struck between private investigator Mel Sattem (Adam Rothenberg) and Wendy’s abusive dad Nathan (Richard Thomas), who’s chosen to stick around with his church group in order to locate his missing son Ben (Tom Pelphrey). Ultimately, though, Ozark remains a show about the mercilessness required to make it big in today’s America, and the similarly ferocious resolve needed to maintain a marriage and to raise a brood. Ozark stays true to its focus on ruthlessly enterprising women, with Linney and Garner as formidable as ever, and Falcón a welcome addition to what has long been the best female cast on television. As is so often the case in Mundy’s show, though, the best-laid plans are often the ones most apt to explode, and explode they do, sending Marty and Wendy once again scrambling to secure a way out of their perpetually precarious predicament. Whether liberation and reinvention is possible without the money and clout Wendy craves is the question that looms over both their lives, as well as those around them, especially given that they’re beset on all sides by forces committed to seeing them fail, be it the rancid Nathan, the persistent Mel—who soon enlists the aid of disgraced FBI agent Maya Miller (Jessica Frances Dukes)—or the hard-nosed Ruth, who’s finally taken her destiny into her own hands, damn the consequences for her or anyone else. Over the course of its nerve-rattling five-year run, Ozark has suggested a variety of outcomes for the Byrde family—few of them promising.

We earn a commission for products purchased through some links in this article. Ozark season 4 ending explained - How finale twist dooms the Byrdes. You didn't ...

Camila instructs her henchman to kill the Byrde children if Ruth is warned of what is coming. Especially after finding out her brother wasn't responsible (she still proceeds to have him killed and take his business though, which is kind of bad sibling behaviour). Legally, of course – can't dirty up Ruth's squeaky-clean record – as the FBI have given her the green light, under the guise of a cooperating witness. She agrees and gets Jonah and Charlotte to see the truth about their vile, drunk grandfather whose real intent was to cause Wendy heartbreak and embarrassment. To protect themselves and Ruth the Byrdes cover up her deed by telling Omar Navarro (Felix Solis) that his nephew has disappeared, and is presumed dead. Meanwhile Clare Shaw's feeling a little cool towards the Byrdes after helping to scrub Javi's blood out of the floors of her office. You remember, the flash-foward at the beginning of the season. He agreed initially but his moral compass apparently kept coming up due north. The Byrdes take flight. Formulate another plan on top of their quicksand foundation of half-built plans. It's a no-go for Ruth, who insists on running a legitimate business. Part two opens with an unstable Ruth ( Julia Garner) hunting down Wyatt's killer.

Ozark actor Jason Bateman and wife Amanda Anka have had a long marriage that's defied many odds. Here's a look inside their first meeting, relationship and ...

With a girlfriend, you get into a fight, you drive away. Bateman found this relationship with Anka, whom he considered a "very close friend". Speaking of marriage to Anka, Bateman said: "Our marriage has defied the odds and works really well. Read More

Netflix's 'Ozark' ends as a thrilling, yet disappointing take on a criminal family ... Jason Bateman as Marty Byrde and Laura Linney as Wendy Byrde on the Netflix ...

Ozark has a lot of in common with Breaking Bad, but one place where it diverges is in the impact of criminality on a family. I wanted to see who lived, who died and how their stories ended, regardless of all the reasons I had to dismiss what was going on. In another moment, Marty threatens to tell a cartel bigwig something about Ruth that would get her killed – exactly what is a bit of a spoiler — unless she steps in to help convince their kids not to leave with Wendy's father. But she's already noted the family is days away from a big gala intended to establish their charitable foundation and can't afford to spook big donors with any whiff of scandal. Shows which have as many plotlines in motion as Ozark can feel rushed in their final episodes as they plow through circumstances to reach the finish line. When the show first began, his kids were clueless about what their father really did for a living and his wife Wendy, played by a resilient, acerbic Laura Linney, was mostly focused on holding the family together.

Ruth is done being pushed around. A recap of “The Cousin of Death,” episode 8 of season 4 of Ozark on Netflix, starring Jason Bateman, Laura Linney, ...

And the key line: “You really think everything you do is to protect your family?!” This is the excuse that Wendy uses in particular. Ruth rants that she used to love to listen to him talk and how the Bydes will tear everything to the ground and make you feel like they care. The ruthlessness of Wendy comes through in her call to Javi to lure him into the trap. In the restroom, Javi offers $2 million, but his name has to be on a building, or the donation is anonymous but he beats the living shit out of this man in the bathroom. The professor goes to the washroom after the check comes, and Javi follows. Back to “Represent” as they drive, Wendy looks nervously at Ruth in the back seat. Wendy thinks that they need to warn Javi to keep the work with Shaw and the Foundation alive. She lets him listen to Illmatic, and Mike mentions how Nas grew up in the Queens projects from which he could see the opulence of Manhattan. She wonders if he would trade all of that heartache even if he knew it would produce Illmatic? Ruth is tired of looking at the power players across the river like Wendy and Javi. She’s using the music of Nas and his story to give her the courage to do what she needs to do. The next morning, Ruth does an ace Charlotte impression to find out that the Javi/Shaw meeting is at 10 a.m., and she sees the Byrdes arrive. Marty calls and tries to talk her out of it. As she’s driving and crying, the episode flashes back to a memory of Wyatt and Ruth playing a game of “Name the Opening Track” on classic albums like The Chronic, The Black Album, and even Red. It’s one of those fun memories of a relatively casual day that often jumps to mind after you lose someone you love. After so many people have pushed Ruth around over the last three and a half seasons, she’s decided it’s time to push back, and her arc transpires against a backdrop of memories of her youth with Wyatt and a soundtrack of Illmatic by Nas. It culminates in Ruth taking vengeance against Javi, gunning him down for what he did to Wyatt and Darlene. She’s not going to be convinced this time by Marty and Wendy’s pleads.

The final episodes of Ozark are here! We're breaking down the big moments in Ozark season 4 part 2 and explaining what you need to know. Spoilers!

She places all the blame on Wendy and Marty begs for her help with Ruth. Despite his attempts, Ruth just refuses to work with the Byrdes, understandably. She goes to the police station and confesses to the murder of Javi to Wycoff, explaining everything that happened but letting him know that she’ll deny it if he tells anyone. Nathan decides he’s giving up on Ben once he realizes what might’ve happened to him, and asks Charlotte and Jonah to go back with him to North Carolina. Nathan gets a petition for the kids to live with him, and goes over to Wendy’s to try and get her to sign it. He explains that Wendy and Marty were investigated by the FBI for money laundering, which starts to put the pieces together for Nathan. Omar wants Marty to meet individually with each person to check in with the books and make sure everything is in order. She later comes by Ruth’s and agrees to fight for the casino only if Ruth promises to be honest with her moving forward. Clare assures Ruth she wants to make a deal with her and doesn’t want to blackmail her, which seems to interest Ruth. At the episode’s end, we see Marty depart for Mexico. Back at home, Ruth is reunited with baby Zeke and we see her throw her gun in the water to dispose of the evidence. Ruth is one of the best characters in Netflix history, and the premiere of part 2 is a really strong one because of her and because of Garner’s performance. She tells Marty that he’s the one who suggested they get into this lifestyle and she doesn’t want to leave it behind. He gives her a gun and tells her to come back to see him for a drink when she’s done. Wendy gets frustrated with Marty for not telling Javi about Ruth when he speaks to him on the phone, but Marty doesn’t think Ruth is a real threat.

For fans wanting more after the finale of 'Ozark' Season 4, Part 2, Jason Bateman and showrunner Chris Mundy confirmed that there won't be another season.

What does he want to message to the audience about the consequences of what the Byrdes have done—or lack thereof?" But I was interested in the big question he has the opportunity to answer: Are they going to get away with it, or are they going to pay a bill? That's the end.

Already full of mysteries, it turns out Ozark has been teasing viewers at the beginning of every episode with four symbols inside of a large 'O' that will be ...

another said. "Also there's the big O and all the things in the O are in the form of the letters Z A R K" one fan revealed. Posting the images to Twitter, they wrote: "Ozark fans know to pay very close attention to the unique title card at the start of every episode as they hold subtle clues about what's to come... Before the series comes to and end once and for all, Netflix themselves revealed the opening title cards for the Ozark's final few episodes, giving viewers an opportunity to work out the ending. Despite all of its twists and turns, the show's plot can be unravelled by fans who are willing to put their detective caps on and decipher the clues in each episode's opening sequence. Some Ozark fans are just discovering that there are 'subtle clues' about each individual episode in the opening title cards and their minds are blown.

For anyone inclined initially to dismiss "Ozark" as "Breaking Bad Lite," the Netflix drama has exceeded all expectations, steadily building toward a final ...

"Ozark" deftly builds toward that answer, delivering it in a thought-provoking way that cements its place among Netflix's finest dramas. The performances are, again, sensational, with Garner standing out in a home stretch that showcases just how tough and determined Ruth can be. It has also developed ancillary characters, like drug kingpin Omar Navarro (Felix Solis), with a complexity that demonstrates what could be stock threats can be oddly charismatic, though it's never wise to turn your backs on them.

As one of the streamer's most suspenseful and successful shows wraps up, does it matter if fans aren't watching the big finish together?

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“Ozark” cinematographer Shawn Kim came aboard the show at the start of Season 4 with a good idea of what creators Bill Dubuque and Mark Williams wanted for ...

Customarily, the world of “Ozark” has a rich cyan-filtered look to it, “almost monochromatic,” he says. “If it was a continuing season, I wouldn’t necessarily be as bold,” he explains, “but knowing [the show is] coming to an end, I felt it important to have a little bit of punctuation.” We always have a psychological plan of the scene, and, hopefully, that translates to the viewer.” “This lets the audience into a more intimate space than they are used to on the show,” Kim says, capturing the sense that something is “fundamentally starting to take hold in Ruth’s character.” They used a 30-degree tilt to kill out any background, “just focused on three eyelashes. “This season, you’re starting to see more of the world but our characters become more in shadow so that even on a bright sunny day outside, we find a way to put them in shadow. “In terms of light, it’s mostly about denser shadows, elevated contrast — a bit more noir,” he says.

Marty gets his hands dirty playing at cartel boss. A recap of 'You're the Boss,' episode 10 of season 4 of Ozark on Netflix, starring Jason Bateman, ...

The guy who killed Ben, seen in a flashback in the prologue, bookends the episode, prepared to take out someone else who made the mistake of getting in the orbit of Marty and Wendy Byrde. Yes, Arturo says he messed with the books, but it was just to take the profit that he thought he deserved. Does Marty know at this point that it’s likely he can’t leave Mexico without killing Arturo? Marty oversees the torture of Arturo, hoping to get a confession out of him. Omar gets the advantage and chokes out his assassin, but he falls into a coma from the blood loss. Marty is auditing some books when he discovers that decimal points were dropped three times in a row — someone cooked the books and is skimming from Navarro. While the accountant responsible for the cooked books is getting beaten by a soldier named Arturo (Reinaldo Faberlle), someone tries to kill Omar in prison. Marty believes it was Arturo — he was jealous of Javi, and they caught him cheating the cartel. The parallel tracks of Marty and Wendy in this episode, along with really confident direction, make this one of the best of the season. It’s the assassin for the cartel who pulls a gun on Ben, and he starts begging for his life, then for him to relay Ben’s message to Wendy that he’s sorry. And she later gets around Wycoff by using Frank to help move the product while she serves as the decoy. Cut to the lawman at the Lazy-O, talking to Sam, who explains some of his “female conflicts of interest” before pointing him to Jonah’s room. Marty sees the potentially vicious side of his future turned into a bloody reality, while Wendy feels pressure from everywhere, and she does what she does best: lashes out. The scene unfolds on the road trip at the end of his life.

After a finale with major character deaths and a twist with the Navarro cartel's storyline, here's a breakdown of what happened and what it means for Part ...

If you think back to just about everything Marty Byrde either did or said over the course of the series, Ozark seems to always hint that he might change. And I have to say—the ending changed everything I believed about the series. The second he left the room, she muttered, "I don't like him." In my review of Part One of the final season, I settled on the lies. Ozark, when you look at it with the view from Wendy Byrde's third glass of wine, is about who we become at the end of the thousandth fib. But in a series jam-packed with double-crossing, murder, money-laundering, and more murder, what's the meaning of it all?

Netflix crime drama Ozark reintroduces Rachel Garrison in season 4 part 2, who we last saw in the show's second season. But why did she leave?

For more from the biggest stars in TV, listen to the Radio Times podcast with Jane Garvey. FBI Agent Petty, who had been working undercover on the Byrde case, ordered her to return to the Ozarks and snoop on Marty. If she refused, he threatened to have her imprisoned for life. He sent cartel hitman Nelson to visit Petty's mother, who was also an addict, and supply her with drugs. The money from the Blue Cat would also wind up in her account. She managed to acquire some of the cartel's heroin, which originated from the Snell's farm. And she was right to be cautious... But with Marty's help, she managed to escape his clutches. With Rachel's Oxy supply running low, she was forced to seek her fix from elsewhere. The only option on the table was for the Byrde patriarch to continue the current operation. The initial interactions between Rachel and Ruth were frosty but over time, they softened to one another. A short time later, Rachel uncovered $100,000 in cash that had been squirrelled away by the Byrdes in a nearby property. Unfortunately for Rachel, her business had fallen under the control of the cartel, but she didn't know that, not at first, anyway.

Marty is finally starting to unravel. A recap of “Pound of Flesh and Still Kickin',” episode 11 of season 4 of 'Ozark' on Netflix, starring Jason Bateman, ...

But Marty can’t say that there, in front of Omar. Doesn’t this make the Byrdes very expendable to Camila? She gets control, and she has the Shaw connection — why does she still need Wendy? Put her on the throne and she ices her brother and the Byrdes the next day. Marty gets out of his car and orders the guy to get out. “What is she doing here?” Wendy snarls when she sees Rachel. Marty sees Rachel and goes in for a hug and a “Good to see you.” Ruth cuts to the chase: She wants to make a deal — the Shaw money for the foundation and Ruth takes the casino. Camila gets to see Omar. Wendy blindsides Marty by offering to have Camila take control in Mexico. Marty doesn’t know about this and doesn’t like it. Marty wants to tell Navarro the truth: Wendy promised Camila that she could see her brother, even though she just tried to have him murdered. Marty takes him down, switching hooks and even getting in a kick. Rachel calls to give Marty a piece of her mind, and Marty’s neglect leads Garrison back to Ruth. Marty is a character who is always considering risk but too rarely remembers human connections and needs. He’s wanted by the State Police. It’s a weak story, but Nathan seems to buy it. While Wendy scrambles with Schafer, Ruth is off on a first-class plane trip, soaking in the luxury and smiling for the first time in days. Shortly thereafter, Marty and Wendy meet with Ruth and Rachel at the Belle. The different reactions of the Byrdes are telling. It’s how she can run a criminal operation without considering herself a criminal — she’s wearing a costume just to get a job done. She suggests to Marty that it’s not his fault because he was only doing what Omar would have done.

Warning: The following story contains gigantic spoilers from Ozark's final seven episodes — proceed at your own peril.

THE GIST: The bad guys win. Camila murders Ruth after learning she was the one who killed her son. And what about Ruth? Was our favorite potty-mouthed heroine alive and well by the end of the series finale? HIGHLIGHT: Ruth’s spot-on analysis of narcissistic hypocrite Wendy in the episode’s final scene was satisfying beyond measure — so much so that I’m dropping the transcript here for posterity: “Wendy? She’s f—king soulless. She’s like a f—king predator that doesn’t even know why it’s killin’ anymore.” Did the Byrdes pass their final cartel test with flying colors?

The series finale of "Ozark" releases on Friday, and the last season is weighing heavy on Mexican actor Alfonso Herrera, who portrays the memorable "Javi."

He has, of course, been proud to be a part of the series from the moment he accepted the role, but a lot has changed since then, both for him personally and in the world around him. Herrera recognizes there’s a risk in having to affirm his skills and experiences as a Latino actor. He added that he’s most proud of the fact that "Ozark" has challenged his limits as an actor, which is inextricable from his personhood. “His philosophy was to give me certain clues and thoughts and ideas of how the writers’ room saw him," Herrera said. This role of Javi presented itself at the end of 2020, at a time when everyone was forced to reevaluate what they wanted for themselves, professionally and personally. From plays in Mexico City to audio series like “Batman Unearthed” on Spotify, Herrera has made a meal out of confounding his critics and thrilling his fans. "I am always open to strong stories.” I think that the number of things I’ve experienced made me who I am right now — I could fit into Javi in a positive way,” said Herrera. And I have to give some kudos to many actors and actresses that have made things a little bit easier, like Demián Bichir," Herrera said. From there, he began booking steady television work in Mexico City, including the Latin American phenomenon that was "Rebelde." "If he doesn’t like you, he’s gonna let you know in a very direct way, which is, I would say, a positive thing." A relentlessly curious actor, he has won praise and some disapproval for refusing labels.

The Run the Jewels rapper cameos as himself in Season 4, Part 2 to discuss Nas's "N.Y. State of Mind" with Ruth Langmore.

He’s had roles in ATL, Baby Driver, and he did a voice-over in America: The Motion Picture. But I have one gripe. "I always thought it was so hopeful and fucking cruel at the same time.” On this great occasion, I'd like to call out a rather legendary cameo in the first episode of the Part Two drop: Killer Mike, one half of hip-hop duo Run The Jewels, who appears as himself.

Alfonso Herrera loves that Ozark's final season didn't go the way you thought it would.

He’s a cultural reference in many ways, so I’m very excited to share a set with him and to work with him and with his team. So we are in the process of that, and I am very excited to be a part of this amazing saga. That is what Zack enjoys the most, and he is very clear about it. (Laughs.) On my first day, I was in the van on the way to work, saying, “Alfonso, don’t fuck it up. So I would point that one out, specifically, but I would also say the last one, which was the goodbye to everyone. What I sense so far is that everybody likes to have a good time. He’s a cultural reference in many ways, so I’m very excited to share a set with him and to work with him and with his team,” Herrera says. The last time I got into a fight, I was 13 years old. But we did have the opportunity to share lots of stories outside of the set. And if he doesn’t like something, he’s not afraid of creating a huge catharsis for himself, affecting the other person involved. The human side of each and every Ozark character is there because the scripts are very well-written and the direction is right on point. Tony is a very good friend of mine, and we’ve worked on different projects back home in Mexico. But no, actually, we haven’t talked about it.

With one more episode to go, Wendy goes completely off the rails to secure the power she's worked the entire series to acquire. A recap of “Mud,” episode 13 ...

She calls panics and calls Rachel, who is busy watching Duck Dynasty. She finally gets a hold of her BFF, warns her that Nelson is coming, and talks her through getting on the roof with a rifle and shooting Nelson as he gets out of his car. The Byrdes offer her power and a license from the government to keep it and the ability to stay behind the scenes. Tell Camila who actually killed Javi. She wouldn’t agree to Omar’s murder, but he could stay behind bars, and she could run the operation with the FBI. Of course, that gets Ruth killed … She goes into the station and tells Wycoff everything she knows about Javi’s murder, including that she killed Javi and that Javi killed Wyatt and Darlene. If Wycoff tells anyone, who would believe him? Shes goes in on him for falling off the wagon, being a cheater, not being a real Christian. She implores him to take the life-changing money and run, but he doesn’t budge. It will be the last time he asks anything of Ruth and Rachel. He tries to call Wendy, but she’s not answering. the Foundation and reveals her plan. She has the cash and needs to be committed for the night, but it turns out that she can’t buy her way into the facility because they’re already overcapacity. Ruth attests that she needs to keep her clean record and doesn’t give in. She goes and pounds on Nathan’s door, dropping the bag on the bed. Marty has to go to prison and tell Omar and Camila what’s up with his kids and cash flow. And yet the first body to fall is a bit unexpected.

Laura Linney and Julia Garner make killer final appearances in the Missouri-set thriller's swan song.

Still, there’s fun to be had in seeing this cast—especially Linney and Garner—chew through their characters in a shared victory lap. There’s not a ton to get your heart racing, if only because every narrative move feels forced by the need to make familiar characters interact with each other one last time—even as the central storyline lacks the proper justification to do so. But there’s a sloppiness to these episodes’ overall execution—across editing, cinematography, and, above all else, writing—that substantively undercuts the rest of the series’ more successful tension building.

How did Ozark season 4, part 2 end? Is Mel Sattem dead? And what now for the Byrdes? Read more but spoilers lie within.

Camila had Navarro killed and was installed as head of the cartel. Jonah, who is now a fully-fledged money launderer himself (like father, like son), appeared keen to take a break from his illegal activities and go "legit" for a while. The expression on Marty and Wendy's faces was something akin to pride, which contrasts with their previous parenting style. But does he have the capacity to kill? But Mel's conscience sent him straight back to the Ozarks, with goat cookie jar in hand, where he confronted the Bydres about Ben's death. "You don't get to win," he said.

The dark, menacing beach town where Ozark is set doesn't bear much resemblance to the Queens streets that inspired Nas' 1994 debut album Illmatic, ...

“You ever wonder if he’d trade that record if it meant not having to go through all that shit?” Langmore asks Mike. “If you’ve got to ask the question,” Mike says before trailing off. She’s a 19, 20-year-old white woman who lives in a trailer in Missouri. That's very far from Queensbridge. At the same time, she’s around the same age as he was when he wrote that album. The second we decided it should be Illmatic, it couldn't be anything else.” The parallels seemed too perfect,” said Mundy. I also felt the way the album lays out, it feels very whole, but there are different moods in there that were going to suit what we shot. (The rapper told Billboard he was a fan of the show when the cameo was announced.) “[There are] parallels between Ruth and Nas. I mean, in one way, they're very different.

You've got to hand it to Wendy (Laura Linney) and Marty Byrde (Jason Bateman). The scheming, slick-tongued duo really know how to dig through the trenches and ...

Jonah Byrde (Skylar Gaertner) is the most likely and most interesting choice for a titular spin-off character. I want to feel like, 'OK, that was the end.' So hopefully people will feel closure by the end — whether they like it or not, I don't know. "[Chris] kind of knew, I think, where he would like to eventually land the plane. There are few characters left alive and kicking who could carry a spin-off series. It's possible a Langmore prequel could be an option. Dragging out a show doesn't appear to be Mundy style.

This article, "does Mel Sattem die," contains spoilers regarding Netflix's Ozark season 4, part 2. Access the archive of recaps, news, and reviews for.

At the same time, it would have been a cruel twist if the demise of the Bryde family was a random private investigator with a hunch. In the final scene of season 4, a determined Mel Sattem stands outside their house with the cookie jar that he points out has no cookies in it. And ironically, Mel was closer to the truth than most people.