365 Days

365 Days 2: Netflix UK release date of This Day, movie cast with Michele Morrone - what time is it coming out? The sequel to 2020's controversial Polish erotic ...

The sequel is based on the second novel of Lipińska’s trilogy, and this time, the film is a Netflix ‘original’ (the previous 365 Days was a Netflix acquisition of a completed film). 365 Days: This Day is the sequel to 2020’s 365 Days, which received a critical pounding thanks to its glorification of sexual violence, kidnapping and the Mafia. The sequel to a film compared to Fifty Shades of Grey has hit Netflix, bringing another dollop of sexually charged - and problematic - action to screens.

Lockdown hits like Tiger King were inescapable on social media, and a certain erotic thriller was too. Of course, we're talking about 365 Days, directed by ...

- Unfaithful This may not come as too much of a surprise, as the ending of the second movie established the potential for another sequel. Since its release, fans have been crying out for a sequel and it finally arrived in the form of 365 Days: This Day on Wednesday, April 27th 2022.

The film, directed by Barbara Bialowas and Tomasz Mandes, is based on one of Polish novelist Blanka Lipiska's profoundly sensuous bestselling novels. The hot ...

The next section will also set the stage for the third segment. The first film ended on a cliffhanger, leaving audiences wondering whether or not the two of them would marry. The film, directed by Barbara Bialowas and Tomasz Mandes, is based on one of Polish novelist Blanka Lipiska's profoundly sensuous bestselling novels.

Recap of controversy surrounding movie 365 Days as sequel is released. Film called out for glamourising rape and singer Duffy wrote open letter to Netflix.

For all the latest Netflix news, drops, quizzes and memes like The Holy Church of Netflix on Facebook. You have not realised how ‘365 Days’ has brought great hurt to those who have endured the pains and horrors that this film glamorises, for entertainment and for dollars. And because ‘365 Days’ has proved enormously popular, I also address this letter to viewers directly. If all of you at Netflix take nothing from this open letter but these final words, I will be content. I calm myself to explain to you here – when I was trafficked and raped, I was lucky to come away with my life, but far too many have not been so lucky. And now I have to witness these tragedies, and my tragedy, eroticised and demeaned. “And Netflix clearly stands on the side of the abusers by having a movie that glorifies, romanticises, and condones sexual assault trending on their top 10 recommended movies to watch around the globe.” I write these words (ones I cannot believe I am writing in 2020, with so much hope and progress gained in recent years), as an estimated 25 million people are currently trafficked around the world, not to mention the untold amounts of people uncounted. But to have to address you in writing. Tragically, victims of trafficking and kidnapping are unseen, and yet in ‘365 Days’ their suffering is made into a “erotic drama”, as described by Netflix. ‘365 Days’ glamorises the brutal reality of sex trafficking, kidnapping and rape. I just can’t imagine how Netflix could overlook how careless, insensitive, and dangerous this is.

Massimo and Laura have been facing trouble in their paradise and it seems like the odds are not in their favor.

He gets to know that Laura was pregnant earlier and had a miscarriage in the accident that happened in the first movie. Nacho shoots Anna while Massimo shoots Adriano. The movie ends with Massimo crying while having Laura in her arms. She asks why he betrayed her but seeing his mannerisms, she realizes that it’s not Massimo she is talking to. Nacho’s father says that she is fine and is with his bodyguard. In the end, she finally receives a video on his phone through which he gets to know where Laura is. Nacho takes Laura to his place and takes very good care of her. Laura suddenly wakes up and tells Nacho about the dream. She leaves the party and as soon as she was about to leave the venue, she is stopped by Nacho, the new gardener who she met a couple of days ago. Everyone is dancing with their partners and Laura is looking out for Massimo. She sees Massimo in the passage right above the ballroom but gets shocked when he sees him going inside the room with none other than Anna. Laura follows them and found them having sex with each other. At the time, she had a conversation with him and thought of him as a nice guy. They have sex and things start to go awry after that particular sex scene when Massimo reveals that he has a brother that he would never want to see. Laura gets really happy and says that his gift will be given later that night.

365 Days: This Day review - The sequel to 365 Days mostly delivers more of the same, but in doing so it breaks apart the allure of its own fantasy.

What you really need to know, probably, is that the sequel to 365 Days is just as full of sex montages set to pop music, includes a couple of scenes that’ll raise an eyebrow or two, and has a standard of acting and writing that might charitably be described as appalling. 365 Days: This Day wants him to represent a kind of humble working-class authenticity, but it also requires him to be part of a new fantasy, so despite being a gardener he lives in this insane beachside crib; he’s all tender and sensitive but he wrangles a home intruder with expert efficiency. Laura says outright that Massimo kidnapping her was sick and lets both him and the audience know that her continuing to be with him is her decision. Thanks to a couple of frankly ridiculous plot turns, he also becomes Laura’s literal savior, and after they abscond, the film’s thin plot continues from there. He’s charming, he cooks, he cleans, he dotes on his pregnant sister, and he represents, at least to Laura, an escape from a life that she is rapidly beginning to feel trapped by. There’s an understanding among their audience that they’re not real, and could never be real, and while it feels like a critical responsibility to point out that they probably don’t represent a net societal good, it also feels a little insulting to assume that those who enjoy them aren’t capable of separating fantasy from reality.