Nicolas Cage plays a skewed version of himself in this clever, if eventually formulaic, self-aware action comedy.
And in 2022, the picture feels like a mournful remembrance of the very idea of movie stardom, that an actor could be the most memorable thing in a given movie. I was reminded, ironically, of The Rock (one of the first big Hollywood movies I can remember with a super-sympathetic villain) which killed off Ed Harris’s rogue general early enough for Cage and Sean Connery to get a convention action climax. The picture gets its “meme-ification” bits in where it needs to, including a Film Twitter-bait subplot involving Paddington 2, but it also understands that the movie won’t work if we don’t care about the bromance between the movie star and the eccentric super-fan. The premise is almost too clever, that of Nicolas Cage playing a skewed version of himself meeting a very rich Cage super-fan (Pascal) who also happens to be a ruthless international criminal, but the film works because it remembers the nuts-and-buts foundations of its unassuming studio programmer intentions. It’s no secret that Cage made a slew of “not for theaters” films to pay off financial obligations, and it’s telling how we view the profession of acting that so many would look down on Cage for “paying off his debts by doing his job a lot.” The film avoids potshots at that era, which is fair since there’s a “diamond in the rough” (Joe, Mandy, Pig, etc.) every three or four films amid that period anyway. So, faster than you can say The Interview (sans anything that might get Lionsgate hacked by a foreign government), Cage becomes a quasi-spy even as he can hardly believe that this delightful and eccentric fellow is a metaphorical James Bond villain.
Nicolas Cage stars as himself in the meta action comedy "The Unbearable Weight of Massive Talent," a concept that works as long as he's on-screen.
This is a man who can make a YouTube interview wildly fascinating on any day of the week, so his screen presence has never been in question. In “The Unbearable Weight of Massive Talent,” Nicolas Cage is back — not that he ever went away. While Nick develops a relationship with Javi to relay intel back to the CIA, the two men decide to collaborate on their own screenplay, a “grounded adult drama” about their friendship, which adds an extra layer of meta to this already meta project.
The man and the myth come together as Nicholas Cage plays Nicholas Cage in this cunning and hilarious, brilliantly conceived film. Whether you like the ...
Embrace the Cage. Embrace the laughter. Embrace the ingenuity.
[W]hile it's undercut by a plot that is both overly familiar and too predictable, it's a cinematic experience you never stop smiling through.
It’s only upon Nicolas Cage’s arrival in Europe that he actually learns about who Javi Gutierrez is – and none of it is good news. Unfortunately, his world is rocked further when he learns that David Gordon Green has decided to go in a different direction, and Cage makes a decision: he is going to retire. It’s in all ways an admirable performance from the star, not just because of its elements of honest parody (poking fun at not only his bad movies but past financial issues), but also just because of well-rounded it is. Cage’s career is so all over the map that it has gotten hard to define him as an actor – but Tom Gormican’s The Unbearable Weight Of Massive Talent is like drops of iodine in murky water. Public perception of actors is a bizarre and multifaceted thing. Nicolas Cage is a case study unto himself in this field, having experienced extreme levels of this duality for decades.
Nicolas Cage plays Nicolas Cage opposite Pedro Pascal in Tom Gormican's meta action-comedy. Read the Empire review.
The supporting characters are a little thinly drawn, with Sharon Horgan eye-rolling for Ireland as Nick’s ex-wife and Tiffany Haddish exasperatedly instructing Cage via an earpiece. While Cage leans into his amplified, unfiltered persona (“I should always trust my shamanistic instincts as a thespian!”), Pascal nimbly balances an appealing, starry-eyed guilelessness with underlying shades of threat. They gel well, and the film is stronger when they share the frame than when it’s dabbling in Clouseau-esque slapstick (Cage’s first foray into spycraft) or letting the bullets fly and the cars crash.
The Nicolas Cage role to reign over all Nicolas Cage roles just landed in cinemas.
Things go gloriously awry in The Unbearable Weight of Massive Talent, now playing in cinemas around Australia. In the sweary trailer above, we also get some glimpses of the devil/angel on Cage’s shoulder: a CGI de-aged version of the man himself known as Nicky, who screams his own name as a kind of self-motivational battle cry. And he says yes a lot.
Nic Cage goes full meta in a silly but fun action-adventure film. NOW STREAMING: Powered by JustWatch · Nicolas Cage became a national institution somewhere ...
In a movie where Cage makes fun of himself for a career full of him yelling at the top of his lungs, there’s less screaming from him here than I thought would happen. For the most part, though, Unbearable Weight meets the task by celebrating Cage’s career with a ridiculous film as tongue in cheek as its title. It’s great while it lasts, especially during a sequence where they try to come up with a script idea after taking LSD. It turns into the satire of previous over-the-top Cage performances the rest of the film tries to match. Cage gets the JCVD treatment here by playing himself, a washed-up actor drowning in debts. In the process, he’s gone from one of our most celebrated actors to a self-parody. Nicolas Cage became a national institution somewhere between stealing Huggies from a convenience store and putting the bunny back in the box.
The scenes of [Nicolas Cage and Pedro Pascal] bonding around Javi's endless compound are the film's highlights. It goes from a self-indulgent meta exercise to a ...
In a movie where Cage makes fun of himself for a career full of him yelling at the top of his lungs, there’s less screaming from him here than I thought would happen. For the most part, though, Unbearable Weight meets the task by celebrating Cage’s career with a ridiculous film as tongue in cheek as its title. It’s great while it lasts, especially during a sequence where they try to come up with a script idea after taking LSD. It turns into the satire of previous over-the-top Cage performances the rest of the film tries to match. Cage gets the JCVD treatment here by playing himself, a washed-up actor drowning in debts. In the process, he’s gone from one of our most celebrated actors to a self-parody. Nicolas Cage became a national institution somewhere between stealing Huggies from a convenience store and putting the bunny back in the box.
Playing himself, Cage serves the acting fans love him for – but has this strained action comedy spoiled the joke?
As for Cage, this isn’t like Leslie Nielsen sending up his erstwhile straight-lead image for Airplane! and The Naked Gun, nor is it exactly like John Malkovich fabricating a complex fictional self in Being John Malkovich. Cage simply plays Cage in the moderate script he’s been given, in that utterly committed, strangely uncomplicated way that has won the hearts of fans who declare themselves on the right side of the laugh-with/laugh-at dividing line. N icolas Cage has officially revealed he’s in on the joke – but has that spoiled the joke … if that is the correct word? But then the CIA gets word to our hero that Javi is a dangerous cartel gangster and Cage must use his privileged access to bring him down.
In it, Nicolas Cage plays a fictionalized version of himself—dubbed Nick Cage—who is roped into writing a movie in which he will star. Yet just when it seems no ...
As Javi is showing Nick Cage his Nic Cage shrine—complete with National Treasure posters, Face/Off wax statue, and Nic Cage sequin pillow—writer-director Tom Gormican's film reveals itself to be a celebration of the kind of movies Cage makes, not the actor himself. We don't watch movies about people trading faces or stealing the Declaration of Independence because we seek to see realistic, plausible things happen on screen. His career obsession has alienated his ex-wife and daughter, and he is being tormented by visions of his younger self, Nicky. In an act of desperation, he accepts $1 million to go to the birthday party of a rich superfan named Javi, played by Pedro Pascal. This all stands in contrast to the real-life Cage, who is married with two sons, and is, presumably, not haunted by visions of his young self. In Massive Talent, Nick Cage is dissatisfied, on the brink of financial ruin, and has just lost out on the role of a lifetime. It doesn't. Instead, just as it starts to teeter on the brink of being a one-note movie whose only concern is using Nick Cage to poke fun at Nic Cage, it twists. In it, Nicolas Cage plays a fictionalized version of himself—dubbed Nick Cage—who is roped into writing a movie in which he will star.
The eccentric (to say the least) actor plays himself in spirited meta-comedy. Adam Graham. Detroit News Film Critic. There's a gleam in Nicolas Cage's eye in ...
But Cage, lampooning himself in a museum dedicated to his memorabilia, making fun of his performance in "The Wicker Man" ("not the bees!" For a while it seemed like the actor was gone forever, doomed to ride out his days in dreary straight-to-streaming titles, a shadow of his former self. The agents decide to use Cage as an asset and activate him in the field, and Cage gets to live out his action movie fantasies in real life. The fan, Javi (Pedro Pascal), is a sweet-natured fellow who wrote a script he wants Cage to read, but is nervous to present it to him. "Massive Talent" is a house of mirrors where he's able to poke fun at himself, his persona and his career, and there are references to his gonzo work in "Moonstruck," "Leaving Las Vegas," "Face/Off," "National Treasure," "Captain Corelli's Mandolin" ("underrated for sure," Cage quips), "Croods 2" and more. But in "Massive Talent," the massive talent is back.
The film is set for a wider release date of April 22, so it should be available for most folks tomorrow. To find out when and where you will be able to watch it ...
The Unbearable Weight of Massive Talent is available in some theaters across the U.S. with early showtimes this afternoon. The Unbearable Weight of Massive Talent will be available in some theaters as early as this afternoon with a wider release date of April 22. If you love Nicolas Cage as an actor, our review of The Unbearable Weight of Massive Talent would suggest that it's a movie you'll to want to watch in theaters.
Nicolas Cage plays Nick Cage — maybe, kind of, not really — in a comically romantic, buddy-movie thriller that is also an ode to him in all his Caginess.
There are no surprises other than the movie is watchable and amusing, though it’s too bad Gormican didn’t let Cage and Pascal just go with the absurdist, shambolic flow. “He’s up there in the air,” Pauline Kael wrote in a review of his freak-fest “Vampire’s Kiss,” “it’s a little dizzying — you’re not quite sure you understand what’s going on.” Amen to that. It’s very Hope and Crosby loosey-goosey, though sometimes it’s more blotto Snoop and Martha. Cage and Pascal bounce off each other nicely, with Pascal playing the wall to Cage’s ricocheting ball. It’s a pretty good joke: Cage plays himself, or rather a variation on a star also named Nick Cage. Wrung out, inching toward bankruptcy, proud yet humbled, and yearning for a role that’s worthy of his self-regard, this avatar looks and sounds like the real deal. There’s a story, way too much of one, crammed into an overstuffed, self-reflexive entertainment that soon finds Cage flying abroad. Tiffany Haddish and Ike Barinholtz show up as spies who dragoon Cage into a covert operation that allows the filmmakers to shift to more commercial terrain and bring out the heavy artillery.
Also starring Sharon Horgan, Ike Barinholtz, Alessandra Mastronardi, Jacob Scipio, Neil Patrick Harris, and Tiffany Haddish, The Unbearable Weight of Massive ...
If The Unbearable Weight of Massive Talent follows a similar release strategy, you likely won’t be able to watch the movie at home until late June 2022. The Unbearable Weight of Massive Talent is a Lionsgate release, and unlike other movie studios during the pandemic, Lionsgate has not had a consistent digital release strategy for its films. No. The Unbearable Weight of Massive Talent is a theatrical movie, and will not be on Netflix when it comes out. No. The Unbearable Weight of Massive Talent is not a Warner Bros. movie, and therefore will not be streaming on HBO Max when it opens in theaters. The Unbearable Weight of Massive Talent will begin playing in theaters across the U.S. and the U.K. on Friday, April 22. Right now, the only place to watch The Unbearable Weight of Massive Talent is in a movie theater.
Nicolas Cage unpacks the differences between Nicolas Cage, Nick Cage and Nicky in the trippy action-comedy 'The Unbearable Weight of Massive Talent.'
“It was a long process of trying to figure out how to accomplish that look.” “The de-aging part of it was an algorithm that helps you smooth out any wrinkles and change the shape of the face,” Gormican says. “I wanted that guy to be sort of one of the villains in the movie. “What I did was monumental: I worked my way out of $150 million in debt and I didn’t file for bankruptcy because I was there for my family,” he says. Cage, who played dual roles as identical twin brothers in Spike Jonze and Charlie Kaufman’s “Adaptation,” was enamored of the idea of acting opposite his younger self. Why is your career not in the place it should be?’” says Etten. “We felt like the most interesting way to dramatize that was to have the younger self.” “That was a sort of North Star, and we never wavered from that.” “It was a high-wire act, and if I fell, the drop was disastrous.” In the film, Cage is depicted as a narcissist who has at times distanced himself from his family in his pursuit of stardom. “There are a lot of things in this so-called Nick Cage that are not me,” Cage says. “One of our friends said, ‘As a purely business decision, this is one of the stupidest things I’ve ever seen,’” Gormican says. To prepare for his role as a suicidal alcoholic in the 1995 drama “Leaving Las Vegas,” for which he won an Oscar, he had a friend videotape him binge-drinking for two weeks.
Nick Cage's deft meta-sendup of his own fame is massively weighed down by the R-rated baggage that comes with it.
And he gushingly hopes that Nick might just read his screenplay. And if Nick doesn’t man-up and help the US government, that girl may even be killed. And it will allow Nick to pay off his $600,000 hotel bill and start a new non-acting chapter in life. It feels as if the world as he knows it is crumbling. Nick recently lost the role of a lifetime he was vying for. Nick Cage is sure that he belongs in that latter category.
The Unbearable Weight of Massive Talent. M, 107 minutes. Four stars. Nicolas Cage as Nick Cage in this toey new Hollywood number plays along with the persona that goes with the actor's name. The actor's angry, brooding screen presence and the excesses ...
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