Turning Red

2022 - 3 - 11

‘Turning Red’ tackles trial of tweens (unknown)

Turning Red” asserts the value of a metaphor signifying more than one thing. With any story centered on a 13-year-old's multidirectional hormones in the ...

Chance of snow 40%. Winds could occasionally gust over 40 mph. Low near 15F. Winds WNW at 15 to 25 mph. Windy with occasional snow showers.

'Turning Red' confronts the messiness of adolescence with refreshing honesty (unknown)

In Pixar's new animated film, a Chinese Canadian girl awakens one morning to find that she's turned into an enormous panda. Turning Red provides a lot to ...

All of which is to say that Turning Red gives you a lot of ideas to grapple with. I also balked at moments that seemed to exaggerate for comic effect, especially when it came to Mei's mother, who's clearly been conceived along the lines of the controversial "tiger mom" stereotype. As it turns out, the red-panda effect is the result of some very ancient Chinese magic that's been passed down to Mei through the women in her family. And then one morning, in a twist that riffs on Kafka's The Metamorphosis and countless werewolf movies, she discovers that she's turned into an enormous red panda, with bright red-orange fur and a long, bushy tail. Director Shi, who wrote the script with Julia Cho, confronts the messiness of adolescence with an honesty that's refreshing in the world of studio animation. With her first feature, Turning Red, Shi leans further into the complexities of Asian parent-child relationships — and this time, she's come up with an even wilder conceit.

Post cover — Image courtesy of "Sky News"

Anne-Marie on dealing with emotions and Turning Red - and other ... (Sky News)

In this week's Backstage review, Anne-Marie opens up about sharing her struggles and her cameo in Turning Red. Plus, Caitriona Balfe talks Belfast and the ...

"But like anything, there's a small sliver that is kind of criticising or maybe a little intrusive, and of course as human beings it's hard not to sort of catch on to that. "I try and do that with my music - I always really try and put a message in there that people may not have heard in a pop song before or just something that makes people feel something," she said. You can listen to our interviews and hear our reviews in this week's Backstage podcast. And it wasn't until I started therapy where I actually started realising that being in the middle is a really good place to be. She also confirmed she was going to try therapy, and has told Sky News not only is she doing so but also credits her friends with helping her through the toughest times. "It's definitely a good thing to learn," she said.

Review: 'Turning Red' is Pixar at its weird, wonderful best (FOX 5 NY)

There's a special kind of joy that comes from watching a film that's completely confident in its eccentricities. That's exactly the spirit that fuels ...

In that way, "Turning Red" would make a nice companion piece to "Inside Out," which also looked at the complex emotional realities of growing up as a tween girl. About the writer: Caroline Siede is a film and TV critic in Chicago, where the cold never bothers her anyway. It’s just that she’s also starting to develop interests outside of her family too, and she’s struggling to balance that with a mom who would clearly prefer to keep her daughter frozen in amber. Ten years later, Shi is now the second woman to have a directing credit on a Pixar film and the first to have a solo directing credit. The platform gives fans of entertainment, news and sports an easy way to discover new content that is available completely free. And "Turning Red" isn’t afraid to ground its story in the hyperactive, emotional rollercoaster of an experience that is life as a tween girl. And Shi complements that emotional originality with an animation style that feels just as unique. But "Turning Red" is equally about the broader emotional tumult that comes from growing up and carving out your own identity outside of your family. "Turning Red" is just as weird and wonderful but with even more room to flesh out its quirky, moving world. What works so well about "Turning Red" is its savvy mix of universality and specificity. She and co-writer Julia Cho are particularly smart not to make Mei’s "panda" an allegory for just one thing. Chicago - There’s a special kind of joy that comes from watching a film that’s completely confident in its eccentricities.

'Turning Red' is a turning point for Asians in film. Why is it seen as unrelatable? (unknown)

The film, directed by Domee Shi, tells the story of Meilin (played by Rosalie Chiang), a Chinese Canadian 13-year-old, battling the ups and downs of the early ...

"The story of all of these friends and the family is so universal... There's emotions in 'Turning Red' that are absolutely part of a human story," she said. "It's not like I could relate to Ratatouille... I didn't even know Ratatouille was a dish," she said. That's what it kind of felt like," Wang Yuen said. Which is fine — but also, a tad limiting in its scope," O'Connell wrote. The film, which premiered Friday on Disney+, been widely hailed as a refreshing, creative look at tweendom and the awkwardness of growing up.

I saw my family in the women of ‘Turning Red’ (unknown)

I grew up in an almost overwhelmingly female family (not overwhelming for me, but maybe for the odd boy cousin). My mother has a sister; my grandmother had six.

My mom and her cousins grew up in the same city, no one more than an hour away from each other. We fall naturally into the roles we held as children or the last time we were in that home, we share stories that span decades and continents. As Mei grows reluctant to part with her panda, she never questions the other women's decision to stifle it, nor questions her place in the family. Even as an only child living far away from my extended family, I always felt close to them — just like Mei. When the awkwardness of my teen years set in, any cousin or aunt was a phone call away, and my mother became a trusted confidante — when most people I knew were running fully in the opposite direction from their parents. I grew up in an almost overwhelmingly female family (not overwhelming for me, but maybe for the odd boy cousin). My mother has a sister; my grandmother had six. Turning Red follows 13-year-old Chinese-Canadian, Meilin Lee (Rosalie Chiang) as she grapples with her changing body — not in the usual ways, but in the form of the giant red panda, which she turns into if she feels any strong emotion.

Turning Red Has No Obligations (unknown)

Vulture's Alison Willmore reviews 'Turning Red,' the Domee Shi–directed Disney and Pixar film about the relationship between the first-generation Ming ...

The shame comes from Ming. She had it instilled in her by Mei’s even more iron-willed grandmother, who eventually shows up with a battalion of aunties for a ceremony meant to seal Mei’s inner beast away forever. Effervescent and ridiculous and grounded in a pastel-shaded Toronto and the nearby throwback details of 2002, it has texture and specificity to spare, and the only person it cares to speak on behalf of is its 13-year-old heroine, Meilin Lee (Rosalie Chiang). The panda, fluffy and free, represents Mei at her most unfettered, dancing up a storm and posing for pictures and serving as the life of the party once Mei and her friends figure out that they can monetize Mei’s metamorphosis to buy 4*Town tickets. Mei is an unabashed dork who loves Canada; her grade-eight crew of Miriam (Ava Morse), Priya (Maitreyi Ramakrishnan), and Abby (Hyein Park); the boy band 4*Town; and her parents Ming (Sandra Oh) and Jin Lee (Orion Lee), though her suffocatingly close relationship with her helicoptering mother is more complicated than she’s willing to acknowledge. Maybe it’s that the simplicity of Bao (which, like most of the animation giant’s shorts, is wordless) gave it the feeling of a fable that we were supposed to take ownership of, whether those were its intentions or not. For all that we measure out recognition in pangs, the experience of seeing some fragment of yourself onscreen is usually assumed to be a positive one.